Alex Zivkovic
@alexzivkovic
art, architecture, and media historian incoming Asst Prof @ Hunter College, CUNY postdoc @ Lauder Center, Met thinking about modernism, ecology, queer surrealism
nevertheless, loved Tom Holland’s performance (and many others), and recently drew it in my first attempt at a faster/simpler style
Paul Alexis Reading to Émile Zola (1869-70) & Paul Alexis Reading at Zola's House (1870) two double portraits, very different moods—love how peaceful and intimate the first is, but the second is way too theatrical
increasing moody self-portraits by Odilon Redon, ages 27–45: 1867, 1875, 1880, 1885 love the way the shadowy background comes in more and more into the face
before the iconic full beard: Monet age 25 and 27, painted by Gilbert de Séverac and Carolus-Duran
and with regard to the depiction of women here—especially a certain goddess—I have to plug Madeline Miller’s Circe, which I devoured last year in a few sittings
some art about media I recently consumed and loved: - Cormoran Strike book 1 show - Widow’s Bay - Backrooms
another beautiful portrait — spent the morning looking through his amazing photographs. Unidentified man, c. 1934
Courbet's wide-eyed self-portrait (The Desperate Man) has never been my favorite...but I love these two self-portraits I just came across c. 1850-3 (30s) c. 1873 (age 54)
two summer garden pendants: John Singer Sargent's Carnation, Lily, Lily, Rose (1885-6) and Édouard Manet's Le Linge (1875)
wow—the three existing self-portraits of Claude Monet: ages 44, 46, and 77! each is so distinctive (+ a younger throwback: Carolus-Duran's portrait of a far less-bearded Monet at age 27)
beautiful pendant to Manet's more famous portrait of Zola, here showing Zacharie Astruc (and here together at the start of Georges Bataille's Manet book) (competing art for art, beard for beard)
a new way to visualize my research output: published and on-going projects arranged by date and methodology, sortable by key themes aleksazivkovic.com/academic-int...
my favorite (surprise!) airport experience was stumbling onto James Brooks' mural of the Marine Air Terminal at Laguardia, now empty due to Spirit's demise gothamist.com/news/histori...
🚨if you look like Duchamp, be at MoMA next week!🚨 there'll be a Duchamp & Rrose Sélavy lookalike context next Thursday at their party! www.moma.org/calendar/eve...
atmospheric photography — Dieter Appelt, The Mark on the Mirror Breathing Makes (1978)
reading a new article --> wikipedia hopping --> more fantastic 19th-c portraits the playwright Georges Feydeau by Carolus-Duran, c. 1900
such a compelling comparison—state five vs. state one for a print by Tissot Hollis Clayson argues "the rigging-heavy milieus of the works convey a skepticism about imperially and commercially triumphant Britain by obscuring its identifying signs." OA essay here: muse.jhu.edu/pub/331/arti...
love how impossible it is to make out the wallpaper/mirrors(?) in the background of this painting Émile-Othon Friesz's Scene in a Parisian Brasserie, ca. 1905/06
love the "related artworks" feature on the @metmuseum.org's website—just stumbled upon this lovely little etching Édouard Manet's The Smoker (Le Fumeur), 1866–7
excited to check out the latest issue of NCAW—incredibly intrigued by this image of a coral vitrine... www.19thc-artworldwide.org/spring26/win...
@jamesleocahill.bsky.social first room, one of the first things you see is Painlevé’s stickleback egg + Dalí
loved “New Humans” at the New Museum! incredible pairings of art and science images, ~1920s-today. provocative and powerful, particularly the rooms on reproduction, prosthetics, and robots
love the video they included of the dancer appearing — something about the architecture of the gallery (and someone with their suitcase in the back) feels so playful and surprising
the video essay tackles the poetics of underwater seeing, from the 1880s to 1920s: from chronophotography to early cinema and the cinema of "distractions" and then to "photogénie" in the era of surrealist films