Glen
@bigsigh
Likes to talk about movies, sometimes even sees them. Frequent pusher of road cases, occasional pusher of faders. He, him
Ideally you'd see I Saw the TV Glow on a TV, duh. But I think this is the second best way. (I did not change the RGB for this.)
Really neat as an exercise in voice that's less about a particular tone or cadence and more about how analytically the protagonist processes his relationships. (Also it's incredible that she gets so granular about race and class in Australia without bogging down the narrative.)
Has a cute conceit whereby the singular narrator is actually two separate (albeit joined at the hip) people. It works more or less like Persona in literary form? (Although, thematically it has much, much more in common with Promising Young Woman.)
Was a little thrown off by it being pulpier than anticipated (yes, it's a novel about immortals but someone shoots a coyote from horseback). Warmed up to it once it revealed its theme of what it means to live a good life. Also appreciate the author doing a little gentle gentrifier self-criticism.
Parasocial relationships with (ex)politicians are a very bad idea but... Damn, the contrast between the way Albanese talks about the arts and the way Bandt talks about them is telling.
Haha well the actual conversation around it here seems fine but the concept is... interesting.
I admire how free Patti Smith feels to respond to everything as an artist; to just feel, react and transmute without overthinking.
The long gap in entries is partially explained by a book I'm not posting and also this one's sections on Lacan and the incest taboo. I made it though - thanks to a half forgotten soc sci degree - and I appreciate it tearing down the idea of any natural or pre-discursive sex.
The Horrors are a good rock band and, also, I had forgotten how many of their songs are break-up songs.
Seeing as you're evidently not going to read the article here's the relevant part so you can at least understand what the author was getting at instead of just having a kneejerk reaction to the headline. You're welcome.
March's listening. Everybody (four people) who heard me playing the Heartworms album was immediately into it. Urgh is still incredible and is probably gonna wind up as my favourite album this year. The Charlotte Cornfield (can you believe that's seemingly not a stage name?) is a real heartbreaker.
I was a rabid Vangelis album fan in my teens. I never found a way to acquire Direct on CD but the library had a copy on tape and I would borrow it regularly and insist on playing it in our car's cassette player.
The mystery is satisfying but... despite being set in an empire, and explicitly being about empire, it doesn't really have any special insight into it; the prose is very plain; and the various inspirations that serve as ingredients for its world-stew have not been smoothly blended.