Bruce Hodges
@brucehodges
Writer | editor | more-than-decent cook. Where: The Strad (London), WRTI (Philadelphia). Music | architecture | art + design + photography | theater + film | journalism | science | pro-public transit Photo: Luis Barragán, Cuadra San Cristóbal, Mexico
From the Festival d'Aix-en-Provence, a scene from the new production of Die Frau ohne Schatten, directed by Barrie Kosky, with the Orchestre de Paris conducted by Klaus Mäkelä A fabulous cast, and thank you, @artefr.bsky.social 📷: Monika Rittershaus
Revisited War of the Worlds (2005, dir. Steven Spielberg), and liked it more this time, despite being a bit "meh" about Cruise. A shout-out to Spielberg's longtime editor, Michael Kahn, for the terrifying appearance of the aliens, a subsequent plane crash, and a panicked scene on a crowded ferry
Tonight, thanks to @filmadelphia.org, revisiting "Independence Day" from 1996 (how is it 30 years ago already) Will be interesting to see if the audience reacts to The White House being blown up by aliens 😄
Pianists Soyeon Kate Lee and Ran Dank in the finale of Bartók's Concerto for Orchestra, arranged by Logan Skelton for two pianos (and snare drums in the second movement) at the Bowdoin International Music Festival More livestreams from Bowdoin all month: www.youtube.com/@bowdoinfest...
Hadn't seen Days of Heaven (1978, dir. Terrence Malick) in probably 30 years, and it has been magnificently restored by the Criterion crew. Richard Gere, Brooke Adams, and Sam Shepard are excellent, but Linda Manz steals the show as the narrator, a cigarette-smoking little girl from Chicago
Bonus: first time hearing Lucienne Renaudin Vary, who also did an encore, an arrangement by Bob Zimmerman of Astor Piazzolla's "Oblivion"
At the opening ceremonies of the Obama Presidential Center in Chicago, The Boss is looking pretty fine at 76
"Aerolite observed on the 11th June 1867" From Astronomy (1875) by Jean Pierre Rambosson (1827-1886) (California Digital Library, via @pdimagearchive.bsky.social)
Now through July 19 at @artsmia.bsky.social, "Modern Art and Politics in Germany 1910–1945: Masterworks from the Neue Nationalgalerie, Berlin" It is a stunning show, with all-too-sober resonance for 2026. If I lived in the Twin Cities I would go more than once new.artsmia.org/exhibition/m...
Hadn't seen an episode of Mystery Science Theater 3000 (#MST3K) in something like twenty years. "Samson vs. the Vampire Women" (1962) made an excellent welcome back as you can see from the shot below packed with references to Samson and vampires
A couple of years ago I had this Amaro Sfumato Rabarbaro after a fantastic meal in New Orleans, and bought a couple of bottles afterward. It's derived from rhubarb, and delicious
Just now, I overheard a guy in my building apologizing to a member of the staff, apparently after yelling. "I'm sorry, I had a bad day. It was wrong, and I apologize." We could use more of this kind of thing. Image from "Nos Invisibles" (1907) by Raffaele Mainella, via @pdimagearchive.bsky.social
Woodcut of the day "Creation of the Firmament" from Genesis (1924) by Paul Nash (British, 1889-1946) From the Wellcome Collection (London) via Public Domain Image Archive (@pdimagearchive.bsky.social)
Despite longtime admiration for John Waters, I had somehow missed Desperate Living (1977) until last night. Now it will be forever burned in the memory, thanks to the Philadelphia Film Society (@filmadelphia.org) (Note: it might be a bit rogue) 📷: Edith Massey as Queen Carlotta, via [FILMGRAB]
46 Reasons to Ditch Your Car In our car-centric culture, I realize not everyone can do this all the time, but even part-time makes a difference, both in your life, and in the life of the planet. momentummag.com/reasons-to-d... (Thanks to @brenttoderian.bsky.social and @momentummag.bsky.social)
Curtain call after a blazing Bruckner Third Symphony in its intriguing original version (new to me), with @nezetseguin.bsky.social and @philorch.bsky.social. Before that, an engrossing world premiere by Tyshawn Sorey, "For Marilyn Crispell," with pianist Aaron Diehl as the quietly superb soloist
Memorial concert for Haleh Abghari Monday, May 18, 7:30 pm Benzaquen Hall, DiMenna Center for Classical Music, NYC Renowned for her work with Georges Aperghis, György Kurtág, and others, in 2007 she was the first woman to perform the title role in Peter Maxwell Davies's "Eight Songs for a Mad King"
Yess. Haven't heard either of these in *decades*, but I recall liking them at the time.
"I dedicate this to MTT and to his beloved Joshua." ~ Audra McDonald at Carnegie Hall, introducing Michael Tilson Thomas's arrangement of Gershwin's "Fascinating Rhythm," which she performed with pianist Andy Einhorn 📷: Kristen Loken
More 📷 by Tracie Van Auken from the Curtis Opera Theatre production of Britten's A Midsummer Night's Dream: Tytania (the fairy queen), the two pairs of lovers, and the group of "Rustics"
Yesterday, my first encounter with Britten's opera, A Midsummer Night's Dream (1960), staged by the Curtis Opera Theatre (@curtisinstitute.bsky.social) Sparkling orchestration and colors, brought to life by a deliriously game cast and conductor Vinay Parameswaran 📷: Tracie Van Auken
And the incomparable Dianne Reeves at the 15th Annual International Jazz Day All-Star Global Concert in Chicago #JazzDay
Lizz Wright, heavens From the 15th Annual International Jazz Day All-Star Global Concert in Chicago #JazzDay
Gov. Pritzker welcomes the packed Civic Opera House in Chicago for the 15th Annual International Jazz Day All-Star Global Concert #JazzDay
Vintage postcard of the day 2386 Hulett Electric Hoists Ashtabula, Ohio (c. 1914)
In the lobby of Philadelphia's Academy of Music before the final performance of Sleepers Awake by Gregory Spears, after its world premiere by Opera Philadelphia 📷: Daniele Sahr
Tomorrow afternoon, Juilliard Opera will livestream Verdi's Falstaff (2 pm Eastern) at the link below, which also has details on the production, cast, and chorus. (Alas, won't be archived, but on the plus side, it's free.) www.juilliard.edu/event/178991...
Gilles Vonsattel (piano) and Tai Murray (violin) take a bow after their encore, "Tango in a Madhouse" (1976) by Alfred Schnittke Thank you, Philadelphia Chamber Music Society