Douglas Wolk
@douglaswolk
magical language machine
Whoa, these all came out 40 years ago this week! (Watchmen #2 had been the previous week.)
Our Fighting Forces, in the '70s, had some astounding cover art, and also a certain... lack of variety in cover concepts.
It wasn't until years later that I saw the original "Shamed By Your English?" and cracked up all over again
Tomorrow afternoon at 2 PM, I'm running my annual "crazy hard comics trivia" game at @bkswpicspdx.bsky.social's free BwPCon! There will be prizes! It's gonna be fun! You should come if you're in the Portland area!
Just taught the final meeting of my “X-Men and the Uncanny” class at Portland State. My favorite course I’ve ever taught, I think—super-enthusiastic students who built on each other’s enthusiasm. And one of them made Xavier and Magneto cake pops for today!
Well, I didn’t win that “prove you’re the worst photographer in the world” competition Icelandair ran, but I sure had fun entering it. With apologies to Irving Berlin:
At SOAK this past weekend, I offered to play and sing a song for people if they chose the subject from this list. It worked out really nicely. Some notes:
Left a plate with pizza and salad on it unattended on the back porch table for TEN SECONDS
R.I.P. Gerry Conway. A little-known gem by him: Secret Hearts #147, one of his first comics--a clever formalist experiment that he wrote at the age of 17!
Or the entire city of Vinnytsia, a real place in Ukraine, with a current population of 430,000 in our world? (Immortal X-Men #10, 2023, Kieron Gillen and Lucas Werneck)
Or everyone for a kilometer around? (Excalibur #9, 2005, Chris Claremont and Aaron Lopresti)
Or everyone in the street? (X-Factor Annual #4, 1989, Ralph Macchio and John Byrne; this is Doctor Doom narrating, so take his perspective with a grain of salt)
So, what happened the first time Magneto deliberately used his powers? Did he kill the soldiers who beat him up and killed his daughter? (Classic X-Men #12, 1987, Chris Claremont and John Bolton)
A few people have asked what the students in my "X-Men and the Uncanny" class are reading, so I made a free post over at my Patreon that includes the reading list: www.patreon.com/douglaswolk
Even the bad expository dialogue and lampshaded hidden agendas are Moorean "bad expository dialogue" and "lampshaded hidden agendas":
You know, I've seen the rumor that Ellis ghost-wrote FFH 2, and I strongly suspect that's people playing telephone with "the real climax of the story is an issue Ellis wrote" and/or "Moore didn't even write the conclusion." Because Moore DEFINITELY wrote this:
ROMEO & JULIET & GODZILLA has the funniest premise I've seen in a while: "how little can we alter the text of Romeo & Juliet while incorporating Godzilla, Mothra and a giant Capulet mecha into its narrative?"
Finally got around to reading Mimi Pond's Mitford-sisters meditation "Do Admit!" last night, and yeah, it really is absolutely fascinating and charming.
Chris Claremont has also talked about how this bit was an influence on him! I imagine this bit from X-Men #114 might have echoed it, too: