Joe Hodson
@joehodson
Paralegal with masters in international maritime law, interested in languages, ethics, governance, environmental protection and human rights. Mythology-loving humanist.
Not sure about the extent of that. I notice the same word for "evil" (inflections aside) being applied in the poem both to the actions of the suitors *and* to what Odysseus then does to them, for example.
On boiling days like this, the way you can feel the senseless rapacity of plutocratic extractivism on your very skin reminds me of these brilliant lines from Tolkien:
Shareholder liability surely has to be part of the solution. People invent things like this without regard to social consequences *because the investment is there without regard to social consequences*.
Interesting argument that PR unfairly disfavours various specific low-turnout geographic areas. However, I don't see that this outweighs the overall rectification of representation disparities and particularly the nationally crucial elimination of disproportionate majorities.
Struck by how the Odyssey repeatedly casts love for strangers - particularly unfortunate, war-battered and sea-battered strangers arriving in boats - as a core measurement of whether someone is civilised. In so many ways we've obviously progressed since then but embarrassingly not this central one!
Makes you wonder what roads philosophy might otherwise have taken - as with Adams' ill-fated girl in the Rickmansworth café.
What gets me about the tragic ending of Medea is this infuriating chorus member who ostentatiously dithers and ponders whether to intervene to save the children - so much so that the children overhear and yell "yes, intervene you clod or we'll die!" - but then just fails to do so, sans explanation!
The barrow wights. Their recent on-screen portrayal really didn't do justice to the simple eeriness of this description:
Enjoyed hearing Challenger speak before about human exceptionalism - thus looking forward to this! Alive: How Life is Unique & Why it Matters with Melanie Challenger - Kairos share.google/D48Hc1HS7nia...
What Drives Climate Action? with Kris de Meyer - Kairos share.google/nBQw194d8oTw...
I think partly this is just how this author talks to and about everyone, and some of the same formulae are used when he talks to Gaius in 3 John, though to my mind he doesn't seem to get quite so carried away with them there.
Blumell's take on "Lady Eclecte" in 2 John is a really interesting one. I am then struck by the impression that some of these lines make it sound to my worldly ears like John/the Elder is trying to hit on her, albeit just subtly enough to maintain plausible deniability!
Thought I'd come and spend Easter in a part of the country I haven't been to before
And the other major headscratcher - wasn't Judas bringing about God's will by this "betrayal"? Suppose he changed his mind and got cold feet - would he not then have been disobeying and undermining Jesus? Here Jesus both tells him to do it (in John) and condemns him for it (in all the synoptics)!
I don't like the contradictory story in Acts, which had younger me yet more disturbed and confused - how do you get from hanging to disembowelment via a "headlong" fall? But more importantly, it has Judas rather than the priests as the purchaser of the field, thus denying his moment of integrity.
It's a shame that Judas Iscariot is mostly only remembered as the archetypal traitor, because in Matthew 27 he also displays an oddly rare level of integrity by refusing to benefit from his blood money when he realises that that's what it is. For plutocrats he's actually a moral exemplar here!
The way the conversation of the crucified criminals in Luke is portrayed is morally back to front. The angry one is actually making a perfectly reasonable point - he should indeed save them from this. The other one conflates guilt with proportionality - but fails to justify inhumane punishment.
In schooldays I misread "misled" in this footnote from the LOTR appendices as though it were the past tense of a verb "to misle" (pronounced like the first two syllables of "miserly") which I thought meant something like "to confuse". I recall using that obliviously at least once before realising!
I am curious about how Bel and the Dragon fits into this analysis. The denial of Bel's "livingness" seems more than just rhetorical here, as this story explains Bel's apparent manifestation via consumption of food and drink as being the product of human theatrics. And it happens on Bel's own turf.
A badge of honour. And at least this time the listmaker is accusing me of a disposition that I actually hold, for once!