Anam
@mana4anam
Canadian Digital Artist. Currently working on building a visual novel. 🇻🇪 🇹🇹 🇮🇪 Come visit my carrd: Check out my VGen: Buy me a coffee ☕️:
Ah! So it appears it is us! Cool! So how did we get the crest stone? From Sothis perhaps? Did Byleth save us the way Sitri saved Byleth by passing it on and dying? Very mysterious.
The game is a far flung sequel (most likely, unless Fire Emblem decides the localize calendars per region in terms of years. After all, they were called Imperial Years, iirc) The year is listed here as 1449 as Cai walks around the hub. As opposed to Three Houses being in the 1180’s
Sothis names her Blessed / children in a very specific way. Rhea was the Immaculate One Byleth is the Enlightened One And now she’s discussing the Promised One. Who appears to be using the still crest stone-less Sword of the Creator, but it’s broken and tied to a stick to be a spear.
That's right! I made semirealistic Claude. And he's BALD! And I'm NEVER letting have hair Muahahahaha
Every day Claude get'a a little closer to me running out of things to do before he's allowed to have hair
My closest approximation of byleth in the Code Vein II character creator (free on Steam)
Quick Bridgerton Season 4 still study/ Binged the first half. I'm gald the shot composition has improved after s3 #bridgerton #digitalart #wip
Flashback to my first fully built 3D character. I was so proud of myself. He took a month but Leander was so worth it #touchstarvedgame #tsfanart #3D
I’m so glad you like Pre-Raphaelite art too! The symbolism is one of the best parts. It adds to the mystique. Elizabeth was one of the most prominent models of the most famous pieces, but you may recognize as well, Jane Morris, Fanny Eaton from other paintings too.
But unlike the Pre-Raphaelites, who sought to create a movement of art in England around regional stories that carried the style of the Italian renaissance, Siddal’s work more closely resembled the medieval art of the illustrators and illuminators who’d previously adapted Arthur visually
One of the reasons pre-raphaelite art often feels prescriptive in it’s view of femininity and beauty—besides the usual eurocentric reasons—is because a lot of the most famous pieces were actually modelled by the same woman: Elizabeth Eleanor Siddal