S. Kaiya J. || Mirror-lock Atelier
@mirror-lock
Contemplative indie tabletop games: HER ODYSSEY, GALATEA, UNTITLED MOTH GAME, & more. Worldbuilding examination. Character and roleplay theory. Opinions about fonts. She/her. You look lost, follow me. &
Some of my favorite playtest tools - tiny decks of cards! So handy for doing a quick dry run of journaling mechanics no matter where you are or how much table space you have.
Bloody Slippers features gorgeous cover art by @eshpur.bsky.social, trade dress by @alderdoodle.bsky.social, item art by @runesael.bsky.social and layout by me. The full set of PDFs contains everything you need to run the game, including character handouts, logistical guides & player casting advice.
Playtesting Shadow in the Stars (a new solo journaling game by @tablecatgames.com, in its final crowdfunding hours now!) with my husband’s Warhammer d6s, which just feel correct for the tone of this game 😁
It's not fully set up yet since a lot of the desk decorations are still packed away somewhere in boxes, but here's a photo of the last time I put up a curtain behind it:
The black velvet curtain from my previous DIY sewing project, which I couldn’t use here because it wasn’t wide enough to span the new windows, and the red velvet DIY curtain my mom handsewed 39 years ago for her apartment in China, because curtain-making is a genetically inherited tendency
If I had a nickel for every time I hand-sewed curtains onto a DIY curtain rod because the blinds behind my writing desk were not sufficiently aesthetic, I'd have two nickels, which isn't a lot, but will get you a palpable percent of the way towards the cost of a DIY curtain rod
Getting ready to raise the biggest white flag since [insert irreverent military joke of your choosing]
Best adaptation of The Odyssey, wrong answers only
Making the most of my last few weeks in the Bay by taking as many book arts classes as I can, including tonight’s on making art postage
Just saying, if you ever find yourself in Brooklyn, I highly recommend Le Fleur Rouge. Large variety of amazing French-Chinese food for $20 on their lunch prix-fixe menu.
Have you played Galatea? Do these words look familiar to you? If so, you should know that the work that I cited as "The Conjurer" two years ago has now been published by Apocryphile Press as THE GOETIST by Warren Tusk. I highly recommend you pick it up. apocryphilepress.com/book/the-goe...
This isn't the first time I've had to post this. So I hope you understand by now that I haven't forgotten.
I already really enjoyed my local Vietnamese coffee chain, but today I discovered they sell crème brûlée macarons 🥰 😍
Four out of my five top songs this year on Spotify made it to the top because I was playing the solo jounaling game One More Song on June 21st.
I’ll be at the TTRPG self-publisher meetup today! As always, you can identify me by the pins on my purse:
If you’re looking for me at PAX, this is my fit for today
If you’re looking to pick up Galatea or any number of other cool indie TTRPGs this weekend, check out the Side Quest Books & Games booth in the PAX Together Intersection room!
Keep a weather eye out, PAX Unplugged attendees! If you spot these pins on a purse strap, it’s me - stop me, say hi, and ask for a hug and/or a business card!
A perfectly normal middle-seat airplane pastime
me two weeks ago: "I'll just pull a costume out of my closet for this PAX game" me now: handsewing black trim, brass buttons, epaulets, and a custom patch onto a jacket with color-matched thread, all of which were purchased within the past week
I’ll be posting this again closer to PAX, but just so you know, I’ll be wearing these pins while I’m there! I don’t expect anyone to recognize my face on sight, especially behind a mask, so I figured I should try to look the way I do on the internet.
Look what arrived safe and sound! A perfectly normal copy of a solo book-defacing RPG that will definitely not take its vengeance on me. Thank you @backwardsttrpg.bsky.social!
Contrast with the prints on the final paper, which still have that organic hand-printed look, but are much more solidly printed. The final paper is so thick and creamy, and (as you'd expect from letterpress) the words are slightly indented into the surface. It's a lovely tactile experience.
The first practice proof that we pulled! The paper for the proof sheets was thinner and glossier than the intended final paper, so it didn't take up all the ink as firmly as the final product would. I like this aesthetic, though - quite battered and weather-worn.
We inked it with red, obviously. We were printing on a Vandercook cylinder press, which was very easy to ink - dab a thin line on the top cylinder, then let the machine run until the ink distributes evenly on all the cylinders.
For my print design, I chose a quote from Macbeth ("Tomorrow and tomorrow and tomorrow...") and played with font to emphasize the growing hopelessness and weariness in those lines. Manual kerning is finicky enough in Affinity Publisher. Doing it physically is even more of an endless rabbithole!