Jonathan Walker
@newishpuritan
Ex-historian of Venice, writer, editor. Author of The Angels of L19, Push Process (a novel with photographs), and other books. (Banner image by Dan Hallett.) jonathanwalkerwriter.uk jonwalkereditorial.co.uk jonathanwalkersblog.blogspot.com
Some Goodreads and Amazon reviews for my novel The Angels of L19, published by Weatherglass Books (sorry but I don't have the energy to do alt text for all of this): weatherglassbooks.com/shop/the-ang...
Released 40 years ago today(ish), and one of my favourite albums. If I did a 33 1/3 proposal, it would be for this: www.youtube.com/watch?v=avar...
Walked by the local reservoir yesterday, and it was full of little motorised sailing boats operated by a group of old fellas, likely a club. Made me proud to be a bloke.
I have two titles there at the table by the entrance: Greenock/Gourock and Greenock Central to Glasgow Central. £7.50/£6 or £12 for both. Details here: 650749c57a329.site123.me/publications...
I went to #glasgowzinefair yesterday and got these, including titles from @jshphotog.bsky.social and @tomhumberstone.com. It’s on today as well, and I’m also selling a couple of titles on the table by the entrance (details in next post.
In a secondhand copy of The Lost Weekend by Charles Jackson, one of the great novels about alcoholism, and the basis for the film of the same name by Billy Wilder, I find these thematically appropriate notes, scribbled on an instruction manual for a fitness tracker smartwatch:
Thanks to @adamroberts.bsky.social for forwarding this mention of The Angels of L19 in the TLS (cc @weatherglassbooks.bsky.social):
Lots of jokes about zombie Jesus. My novel The Angels of L19 may possibly feature an actual zombie Jesus. That sounds disrespectful, but in context it’s a rewriting of the Harrowing of Hell, where Christ becomes death to defeat death. Reviews at link: 650749c57a329.site123.me/publications...
The concept of an 'opt-out clause' is like saying that I must post a notice on my door saying that I do not consent to burglars stealing my property, or else I am actively inviting them to do so. It's my property! Of course I don't consent to other people stealing it! #metabookthieves
@martinmccluskey.bsky.social you are my local MP. I am one of the thousands, maybe millions, of authors ripped off by Meta's brazen indifference to my rights. I am also incredibly disheartened by a Labour government's seeming indifference to this and similar acts of piracy.
Besides my several books, I've also created a number of zines and a photobook. Details in this part of my website: 650749c57a329.site123.me/publications... Although these are not commercially available, I have some samples. DM me if you'd like to buy copies of any of them.
Unknown outside Australia and barely known within it, but an absolutely fantastic study of s checked-out policeman who very reluctantly has to become part of the world again, with fatal consequences:
I lived in Australia from 2003-12, so I have loads of recommendations:
It's the first anniversary of the publication of Push Process, my novel about art, friendship and Venice, which includes over fifty photographs. I'm very grateful to Ortac Press for doing such a great job on the production. Some reviews in the next post ... www.ortacpress.com/product-page...
Since it's World Book Day, here's my four, plus a few zines and offprints of academic articles.
Just completed another little photo zine, this one on the train journey between Greenock and Glasgow. Train windows were the original screen technology. Long before the invention of cinema, they offered an endlessly scrolling spectacle to a seated passenger. Here's a couple of sample images:
Lots of people too. You just can’t see them, because once the exposure goes over one second, objects in motion begin to erase themselves. Not erase; repress. Because they’re not removed. They’re shifted below the camera’s threshold of attention, into the optical unconscious.