Red Scott
@redscott
Stand-Up comic. Co-host of Boars, Gore, & Swords and Failure to Adapt. Comedy, photography, audio, history, & american football
for a man with 151 acting credits over 32 years, Scott Adsit's "Known For" has the steepest drop-off I've ever seen
obviously Tim knows this but as a big Shorto-head it's important to me that everyone knows the Knicks are named after the fake Dutch Historian who was credited with writing Washington Irving's fake history of New York, Diedrich Knickerbocker
what I'm imagining I'm going to look like this summer vs what I'm actually going to look like
this summer you can find me at a bbq, ice cold beer in hand dripping condensation, with somewhere between zero and three buttons done up on this bad boy
been in Japan for a bit, deleted bluesky, back in the states now and the food is not as good among other concerns
fashion influencers keep trying to convince me high waisted pants, and pleats are anything other than the go to outfit of a WW2 vet with undiagnosed ptsd
*record scratch* *freeze frame* Yep, that's me. You're probably wondering how I got here.
I still do not understand how cold brew coffee can be both “unsweetened” yet also “vanilla breakfast drink”
it's 2026 and I'm ripping a cd, just need to find a copy of Winamp 2.X to play it
we bought tickets to see a Hiroshima Toyo Carp game in May and I am furious this throwback Corduroy Carp hat doesn't come in my size
409. Grateful Dead, Workingman's Dead, 1970 any famous band in the 400s is a fucking slog. Casey Jones is catchy, but is the littlest and the latest
412. Smokey Robinson & The Miracles, 1965 the whole album has a sleepy summer vacation feel. Just a sepia toned late summer day at the boardwalk the stereo panning is super aggressive, I thought my headphones were broken
early in my career at Apple, I witnessed a presentation given by Brent Callaghan, a Unix legend and senior engineer, on a project he’d been working on Skunk Works style for over a year, to Directors and VPs They were brutal, trying to find any unfinished edge to tear at (1/4)
