Russel D McLean/R.D. McLean
@russeldmclean
Novelist, screenwriter, freelance dev editor. Crime/thriller/sff/horror. General miscreant. Dad of cats. Scottish. Latest Book: THE FRIDAY GIRL (as R.D. McLean) Rep: Allan Guthrie at the North Lit agency
Hate the new "trending" section. Interesting to to note that the "trending" summary claims the "viral" post "mocks anti-AI critics" when the fact is that anti-AI critics are the ones doing the righteous mocking of the post. Also, yes, I could get through a workday without AI. I already fucking do.
Just finished WORLD'S EDGE, the final book (unless something else is waiting) from the amazing James Sallis -- five interlinked, near future stories of society trying to reassert itself. Bleak in places, but resiliently human in others -- loved it (as with all Sallis's books!)
Beginning to think this new manuscript might have legs... #amwriting #seekritproject #russelwrites
Everything about the Kevin Spacey ring is weird, but avoiding "exercising" really threw me... share.google/8mkQ1xZFIjhp...
Me: "I'll just let the draft of that book sit for a month or so and not work on anything else big before then..." Me, a week or so later:
End of first draft. Putting aside for a while (esp as still waiting to be able to talk about another project... hopefully soon...) to percolate. Needs a LOT of work in editing, but very excited to get to that stage and make it into the book it has the potential to be...
Definitely going to over-run predictions on the first draft (but my God, it's going to need work in the edit stage...)
Some books that influenced THE FRIDAY GIRL in the below reel! Be gentle with me as I'm only just figuring out how these things work! Featuring @meganabbott.bsky.social @damedenisemina.bsky.social, Ted Lewis, James Ellroy, George Pelecanos, Don Winslow, David Peace & Derek Raymond....
Tonight's watch is the bizarre but brilliant CALVAIRE (2004, dir. Fabrice Du Welz) in which a cabaret singer breaks down in the Belgian woods & finds himself stuck in a rural nightmare that rivals DELIVERANCE. it's surreal, unsettling & looks stunning in the @arrowvideo.bsky.social restoration.
Have a feeling this one's going to go a bit beyond the target in first draft -- it's a mess, especially in the first third, but at least I now know the shape I'll have to whip it into... #amwriting #booksky
I LOVED @damedenisemina.bsky.social's THE LONG DROP and can now confirm the stage version, currently at the Citizens Theatre in Glasgow is also utterly stunning -- get out and see it, folks!
Speaking of bad album covers, I still slightly regret not picking this up at a French antique/junk stall many years ago...
Last night's watch: BOB LE FLAMBEUR (1956, dir. Jean-Pierre Melville), an influence on French New Wave influenced by US gangster/noir movies, as a Parisian gambler plans a casino heist. But a bitter rival and a police officer are both on his trail... Cracking early Melville film that still sizzles.
Last night's watch was HARPER (1966, dir. Jack Smight). Paul Newman plays the titular detective from a script by William Goldman & based on the novel by Ross MacDonald. It's a breezily brilliant detective movie with snappy dialogue & a cheeky sense of humour -- just what was needed after a long day!
Tonight's watch: a woman searches for her dead sister's baby as the cops smash the baby-buying racket in ABANDONED (1949, dir. Joe Newman), part of @indicator.bsky.social UNIVERSAL NOIR #1 blu ray set. A melodramatic noir also featuring Raymond Burr in the worst fitting suit in cinema history...
Last night's watch was French thriller, THE CRIMSON RIVERS (2000, dir. Mathieu Kassovitz) - a film that has brilliant moments marred by its final scenes. Cassell & Reno are brilliant as cops investgating Se7en-style deaths at an elite college... just a pity it didn't know how to pay off the finale.
It was supposed to be a sequel to Phantom of the Opera, re-using sets from the 1943 film, but THE CLIMAX (1944, dir. George Waggner) became Boris Karloff stealing a woman's voice because she reminds him of the girl he murdered 10 years earlier... hokey, weird, camp, utterly of its time -- loved it!
Tonights watch was TOUCHEZ PAS AU GRISBI (1954, dir. Jacques Becker), one of the first French "policier" movies that would be refined by the likes of Jacques Melville. The story of two older thieves who must face a young upstart looking to steal their loot, its a stylish tale that still stands up...
Tonight's watch was classic late 90s neo noir from Sam Raimi, A SIMPLE PLAN (1998) (German blu ray edition since its harder to find in UK) Absolutely cracking film anchored by Bill Paxton and Billy Bob Thorton as brothers who find a bag of stolen cash... & thats when things go very wrong...
Last night's watch was ECLIPSE (dir. Simon Perry), a bizarre 1977 British film about a man who witnesses the death of his brother at sea, then returns to stay with his brother's wife and son at Christmas... dark, weird, unsettling, lost for 50 years & anchored by a stunning Tom Conti performance...
Dear. God. They have "ingested trillions of words of information", sure -- but so have searchable databases throughout history (maybe not on this scale). It doesn't mean they understand or properly parse those words though even if they regurgitate them in ways that can appear like they do.
Waiting to hear back about a project, so all I can do is write the next -- first draft now at 60k words, which is when I finally feel like we're about to reach terminal velocity falling to the climax. It's a hot mess of a draft but there's enough in there that the edits will find its true shape...
Tonight's watch was the ultimate in cool crime, French-style, LE SAMOURAI (1967, dir. Pierre Melville) in gorgeous @criterion.bsky.social edition. First time watch and can see its influence on so many of my favourite crime movies... & Dellon just oozes cool in every frame...
Brilliant evening tonight at Helensburgh Noir at the Bar in support of the Dolly Parton Imagination Libray -- what a line up inc @anncleeves.bsky.social @lesleymcdowell.bsky.social @dvbishop.com @alexkaneauthor.bsky.social & so many more!
Tomorrow night at the Commodore Osprey Suite in Helensburgh, a special NOIR AT THE BAR in aid of the Dolly Parton Imagination Library -- may still be a few tix left if you want to see not just myself, but @lesleymcdowell.bsky.social @louisewelsh00.bsky.social @anncleeves.bsky.social & so many more!
Over the last couple of nights, I watched MESRINE pts. 1&2 (2008, dir. Jean-Francois Richet), based on the real life of gangster, Jacques Mesrine, whose multiple prison breaks & audacious schemes were infamous in France & Canada in the 60s & 70s. A stunning central performance from Vincent Casell.
Doing a quick search on myself for reasons (to find something I wrote online a while back) & notice of course the AI summary of me is the first thing brought up. Click to expand out of curiosity and of course, two of the five books it says I wrote don't even exist... AI IS NOT FIT FOR PURPOSE.
Needing a comfort watch last night & TREMORS (1990, dir. Ron Underwood) in its gorgeous @arrowvideo.bsky.social 4k edition more than fitted the bill. Fond memories of watching the film on TV the first time with my dad & he was terrified by the Grabbers -- something we tease him about to this day...
Last night's watch was the @arrowvideo.bsky.social 4K of SILENT RUNNING (1971, dir. Douglas Turnbull) a movie slightly lost between 2001 & CLOSE ENCOUNTERS but whose environmental concerns still feel scarily relevant. Its also way darker than I remember thanks to Bruce Dern's stunning performance...
JAPANESE GOTHIC by Kylie Lee Baker (pub. 30 April, read via e-arc) is a ghost story, a time travel tale, and a psychological unravelling... to say more is to spoil, but this unusual, unsettling and emotionally devastating novel deserves all the praise it's going to get -- absolutely superb!