Jon
@thelitcritguy
writer. phd in gothic literature. writing on horror, utopia, the gothic nightmare of capitalism CAPITALISM A HORROR STORY out now, working on a new book about HOUSES
52. Graham McNeil, "Vengeful Spirit" - plot! Honest to God plot has arrived! An antagonist taking action! It's only taken 30 books!!
51. Terry Pinkard, "Hegel: A Biography" - Exhaustive, comprehensive but surprisingly very accessible (for the most part). Fluently places Hegel's philosophical development in the context of both European political and cultural changes and his own complex networks of relationships. Indispensible.
50. Chris Wraight, "Scars a legion divided" - finally an interesting novel about a loyalist legion and Primarch. As outsiders, mistrusted by all, their ambiguities make a great deal of sense and add some much needed texture to the moral and emotional tone of the wider setting.
49. Dan Abnett, "The Unremembered Empire' -- very good on its own terms but a novel that acts as a nexus point for at least a dozen earlier threads and plot beats and manages to extend them all coherently which makes it logistically rather impressive.
48. Nick Kyne, "Vulkan Lives" - flashes of interest here but another case of taking an interesting character and not really knowing what to do with them in a narrative form which isn't "lore."
47. Deena Helm, "Our Cut of Salt" - a very impressive gothic debut, a novel exploring the haunting of property and occupation in Palestine. A longer review is forthcoming but a book I think everyone needs to read.
46. Laurie Goulding (Ed) "Mark of Calth" -- another compendium and mostly a mixed bag though the Abnett short story is good. God there are still so many to go and I'm honestly struggling to find new things to say at this point.
Thank you to comrades in Spain for telling me that Capitalism A Horror Story was part of Lucía Lijtmaer's culture show on national radio 😱 I love that book - a ghost that keeps appearing in the most unexpected of locations 👻
My newest piece for Current Affairs is out and I think this description of cognitive mapping helps illustrate why I think the film is so interesting. 🤔
45. Aaron Dembski-Bowden, "Betrayer" - honestly this is a banger on a level that matches and even surpasses the very good book on Lorgar. Dembski-Bowden seems to specialize in adding pathos and real emotional resonance to characters that in lesser hands would be cliche, stock and uninteresting.
44. Graham McNeil, "Angel Exterminatus" - a McNeil book! Fulgrim is back! A huge relief! The plot is honestly complete nonsense if you look at it for more than five seconds but the characters, body horror and emotional melodrama carry the whole thing.
43. Christian Dunn and Nick Kyne (Ed.) "Shadows of Treachery" another compendium and probably the best in terms of the writing quality thus far with authors investing characters with some clear emotional angst but god over 20 novels in this is starting to feel very much padded out.
The first in-person meeting of the Hegelian Heresy Research Group in Amsterdam counts as a tremendous success @laboringleon.bsky.social
42. James Swallow "Fear to Tread" - frankly, a complete slog to get through - Sanguinius stop aura farming for two seconds challenge (impossible). A very exciting premise completely squandered with boring action and some of the worst dialogue in all the books so far.
41. Graham Greene, "The Quiet American" - something of a counter part to "England Made Me" -- a novel scathing about American exceptionalism, the paternalistic imperialism of the USA and the trail of bodies that follow all bright eyed Americans in Asia. What a book!
40. Christian Dunn (Ed.) "The Primarchs" - god there are still so many of these to go. Honestly, I've read so many of these I'm finding it hard to say if this one is good or not, but this collection of four novellas are functionally effective which I guess what more can we ask for at this point.
I also read Dan Abnett's afterword to the novel and yeah I think we can say the novel is a success
39. Dan Abnett, Know No Fear - a step up from the last novel and a good example of how to do war writing. Relentlessly present tense and all well choreographed but lacking the usual character work (I don't know maybe I just find ultramarines a little dull)