Double N Terprises
@nicholasnutter
Stop and smell the roses. Roses are going extinct. Blog: Mastodon:
#MWE 28. Willow "Petal Rock Black" (2026) What better way 2 wrap up than 2 explore the beginning, middle, & present of one artist? A 26 minute collection of sketches; not a statement, but a vibe. Feels laced w joy in the creative process. If there's a statement, it's that: making shit is fun.
#MWE 27. Danny Brown "Atrocity Exhibition" (2016) A nightmare trip thru funhouse mirrors, knowing that ur addicted 2 coke and you'll have 2 survive doing rails off every surface in there 2b able 2 think get out. But also there's great bars & beats that fit the atmosphere, so holy shit what a trip.
#MWE 26. Category 7 (2024) Liked it, but wanted to love it. Much better live. The songs are good, but they never find another gear, up or down, and it gets repetitive. Also, the album is mastered way too hot; we're talking near-Death Magnetic levels here. But Jon Bush still fucking HAS it.
#MWE 25. Three Man Army "A Third Of A Lifetime" (1971) A bit dated, but the songs are good. At the time, this would've probably beat ass. What makes this album worth listening to is the subtle twist & turns of harmony or guitar lines that go off the beaten path.
#MWE 24. Arctic Monkeys "Humbug" (2009) A little more understated than their first two, but the songs are still good and they've still got the swagger.
#MWE 23. Franz Ferdinand (2004) Aside from track 2 being utter dogshit (seriously, who heard the finished product and signed off on it), this is a pretty good indie rock record. It's uptempo (which is how I like this sort of thing), it has hooks, what's not to like?
#MWE 22. Hawkwind (1970) Billy Joel once quipped that his band Atilla (also from 1970) was "psychedelic bullshit". I think I feel the same way about Hawkwind as a whole. This was not for me.
#MWE 21. Caroline Polachek "Pang" (2019) The building blocks for her next album are there, but there's only 3 songs I vibe w. The rest are kind of formless soup with great production and phenomenal vocals (seriously, how does she DO that?!?), but don't really become songs ever. Or ideas.
#MWE 20. Clipping. "Visions Of Bodies Being Burned" (2020) Weakest Clipping album I've ever heard (and I've heard 'em all). Lots of beats that aren't beats; they've done industrial well, its kinda their thing, but this just has no sauce. There Existed An Addiction To Blood (2019) was far better.
#MWE 19. Missy Elliot "Da Real World" (1999) What a dud. When you attempt to sound futuristic some of it's gonna be dated 27 yrs later but at least Supa Dupa Fly had songs to back it up; all this has is aesthetic; no substance. Tracks 3-6 are fine, the rest are not worth revisiting.
#MWE 18. Joni Mitchell "Court And Spark" (1974) The beginning of her jazzy period. "Help Me" and "Down To You" especially rule. There's some top notch orchestration adding to the jazz rock foreground, filling out this technicolor trek.
#MWE 17. Sabrina Carpenter "Short n Sweet" (2024) The Sorceress of Sex, the Scion of Summer, the Baroness of Bops. Production & songwriting are so fucking tight and everything hits. Put this one on and fall under its spell. (Lyrics might be a YMMV situation, tho.)
#MWE 16. Willow "Ardipithecus" (2015) Not an album I'd necessarily recommend to anyone but the hardcores. She's still feeling things out (like her singing voice and lyrics), but there's some cool shit on here if you know where to look and what lens to see it through.
#MWE 15. King Gizzard and the Lizard Wizard “Murder Of The Universe” (2017) Sure is a King Gizzard album. Gets really old about the halfway point since it's basically one long song broken up into 21 parts, with not much change. Still not bad, but could have used a bit of a switchup at some point.
#MWE 14. Black Sabbath "Headless Cross" (1989) Know what I said about Phil Collins? This is like a little bit of Velveeta drizzled onto a stack of Kraft Singles. A slight upgrade, but still bad (and without the good songwriting to save it either). Title track rips, though.
#MWE 13. Phil Collins "No Jacket Required" (1985) A rare bird, in that side two was WAY better (and side one has "Susudio" and "Don't Lose My Number"!) Look, I like cheese, but side one has a few too many Kraft singles. I want dem Weyauwega curds, yo!
#MWE 12. Hi/Jack "Sunny Side Up" (2018) How'd I not know one of my friends recorded an EP at Sun Studio eight years ago? No bass guitar on this, but that's been Hi/Jack's style for most of their run. Nothin' fancy, but the idea is to get back to basics. It's rock 'n' roll; let chyer hair down.
#MWE 10. Death From Above 1979 "The Physical World" (2014) A band that I heard on a comp once, then only heard of a few times afterwards. Checked this out of the library, and it's a pretty decent hard rock record. No (to minimal) bullshit, just a distorted bass, some drums and some vocals.
#MWE 9. Al DiMeola "Orange And Blue" (1994) Gets a little too new age-y in spots, but otherwise, DiMeola's compositional and improvisational skills are still top notch. If you can get past the post-synclavier/dawn of "world music" aesthetics, there's some good songs here.
#MWE 8. Alice Merton "Visions" (2026) Another pretty good album from Alice Merton. I'd say better than her last two, but that's the thing; they all kinda blur together. She's never great or terrible, but always pretty good. Always worth at least a listen.
#MWE 7. Van Halen "Balance" (1995) Not worth the trouble. Worse than VH III; at least that one has an identity (and a handful of good songs). "Don't Tell Me What Love Can Do" is STILL dogshit 31 years later. Imagine hearing it every hour on the hour cuz rock stations thought this was a big deal.
#MWE 6. Stevie Wonder “Songs In The Key Of Life” (1976) Yeah, this is his best album. There's a reason it went diamond and won his third Album Of The Year Grammy. What a statement.
#MWE 5. Madonna "Confessions On A Dance Floor" (2005) Really don't get what the big deal was w this album; "Hung Up" is the only song of note. Couple others caught my ear, but only because they were up against the most generic four-on-the-floor dance pop 2000's money could buy.
#MWE 4. Bear Proof Suit "A Suit To Alter Fate 2005-2008" (2010) A curiosity I partook in from the Beaker merch table at the show we played. A lot of really cool punk/crossover shit here. (Online the album cover is pixelated a.f. 4 some reason, but on the CD it's fine) Recommend this hidden gem.
#MWE 3. The Charlatans "Us And Us Only" (1999) More electronic than their previous works (it was '99; everybody was futzing w it back then). Not so electronic that they made beep boops instead of rock...rocks? Still sounds like them, but they show they have more range than mere Madchester.
#MWE 2. Lenny Kravitz "5" (1998) Some of the songs are too long, and the production is kinda wonky, but there's a few pretty good songs on here. Has the 90's problem of being overstuffed; if it were 10 tracks, this could've been a banger.
#MWE 1. Janet Jackson “All For You” (2001) I thought this was gonna be a run-of-the-mill dance pop album from 2001, but it's electro-R&B with unconventional sounds & samples; knocked me for a loop. The dance pop songs are good too, just didn't want 73 mins of that. Wish granted! One of her best.
Here's John Cusack giving Peter Gabriel a boombox in concert. This was early 2010s I think.