Laurie Maguire reviews the Bridge Theatre’s 2025 production of Richard II, directed by Nicholas Hytner 🎭: www.bridgetheatre.co.uk/whats-on/ric... 📰: muse.jhu.edu/article/992527 📷: Manuel Harlan

Michael W. Shurgot reviews Seattle Shakespeare Company and A Contemporary Theatre’s 2025 production of Twelfth Night, directed by Annie Lareau 🎭: www.unionartscenter.org/twelfth-night/ 📰: muse.jhu.edu/article/992532 📷: Howard Shack

Kim Gauthier reviews Théâtre du Nouveau Monde/Théâtre du Trident’s 2025 production of Othello, adapted and translated by Jean Marc Dalpé, directed by Didier Lucien 🎭: www.letrident.com/piece/othello/ 📰: muse.jhu.edu/article/992525 📷: Stéphane Bourgeois

Sheila T. Cavanagh reviews the 2025 production of Othello, directed by Kenny Leon 🎭: www.ethelbarrymoretheatrenyc.com/othello-at-t... 📰: muse.jhu.edu/article/992526 📷: Julieta Cervantes

Suzy Lawrence reviews Shakespeare’s Globe’s 2025 production of Cymbeline, directed by Jennifer Tang 🎭: www.shakespearesglobe.com/whats-on/cym... 📰: muse.jhu.edu/article/992523 📷: Marc Brenner

Shehrazade Zafar-Arif reviews Shakespeare’s Globe’s 2025 production of The Merry Wives of Windsor, directed by Sean Holmes 🎭: www.shakespearesglobe.com/whats-on/the... 📰: muse.jhu.edu/article/992531 📷: Marc Brenner

Ceola Daly reviews Stratford East and Sadler’s Wells East’s 2025 production of Romeo & Juliet, directed by Emily Ling Williams and Malik Nashad Sharpe 🎭: www.sadlerswells.com/romeo-and-ju... 📰: muse.jhu.edu/article/992528 📷: Charlie Flint

Henry MacCarthy reviews Iceland Dance Company’s 2025 production of Romeo and Juliet—Up Close, choreographed by Erna Ómarsdóttir and Halla Ólafsdóttir 🎭: id.is/en/romeo-jul... 📰: muse.jhu.edu/article/992529 📷: Hörður Sveinsson

Erika D’Souza reviews the Stratford Shakespeare Festival’s 2025 production of Macbeth, directed by Robert Lepage 🎭: www.stratfordfestival.ca/whatson/play... 📰: muse.jhu.edu/article/992524 📷: David Hou

Dympna Callaghan reviews Edward’s Boys’ 2025 production of The Enterlude of the Godly Queen Hester, directed by Perry Mills 🎭: edwardsboys.org.uk/productions/... 📰: muse.jhu.edu/article/992530 📷: Bea Baldwin

Hannah L. Wilson reviews the Royal Shakespeare Company’s 2025 production of Born With Teeth, directed by Daniel Evans 🎭: www.rsc.org.uk/born-with-te... 📰: muse.jhu.edu/article/992522 📷: Johan Persson

Edel Semple reviews the Bridge Theatre’s 2025 production of A Midsummer Night’s Dream, directed by Nicholas Hytner 🎭: www.bridgetheatre.co.uk/whats-on/a-m... 📰: muse.jhu.edu/article/992521 📷: Manuel Harlan

Today’s Extra Credit focuses on Nora Williams’s “Four Women on A Two Woman Hamlet: An Interview with Marina Cusí, Deanna Strasse, and Sharmila Peake”. Check out these open-access resources to go along with this open-access article! 📰: muse.jhu.edu/article/992519

More information on the Edward’s Boys company can be found here: edwardsboys.org.uk and explore all mentions of their work on the bibliography page: edwardsboys.org.uk/bibliography...

Today’s Extra Credit focuses on Perry Mills and Janice Valls-Russell’s “Edward’s Boys and the Educational Value of Ensemble”. Check out these open-access resources to go along with this open-access article about @edwardsboys.bsky.social 📰: muse.jhu.edu/article/992518

Check out these photos from the residency, with participants Kevin Ewert and Heather Benton in the first photo and participants Terrell Sledge and Kevin Ewert in the second. 📷: Mark F. Conrad with Sacred Heart University

Today’s Extra Credit focuses on Kevin Ewert’s “Playable Whiteness; or, My Week As Iago”. Check out these open-access resources to go along with this open-access article! All resources are included in the link in our bio. 📰: muse.jhu.edu/pub/1/articl...

Today’s Extra Credit focuses on Alice Dailey and Chelsea Phillips’s “Making (Ambitious, Impractical, Interdisciplinary) Dreams Come True: The Spanish Tragedy at Villanova”. Check out these open-access resources from Alice & @chelseaphillips.bsky.social 📰: muse.jhu.edu/pub/1/articl...

NEW ISSUE KLAXON: Shakespeare Bulletin 44.1 is now published via Project Muse! Find the first issue of a planned two-part issue featuring scholar-practitioners reflecting on their rehearsal room work in educational and professional contexts. Check it out here 📰: muse.jhu.edu/issue/57024

We'd like to invite you to join our newsletter mailing list! If you subscribe, you'll receive a newsletter with the release of each new issue detailing the articles and reviews you'll find in this edition. Join us here: confirmsubscription.com/h/i/80DC405C..., or by scanning the QR code below!

Terri Bourus reviews The Public Theater's 2025 production of Twelfth Night, directed by Saheem Ali 🎭: publictheater.org/productions/... 📰: muse.jhu.edu/article/985859 📷: Joan Marcus

Jennifer A. Low reviews The Public Theater's 2025 production of Twelfth Night, directed by Saheem Ali 🎭: publictheater.org/productions/... 📰: muse.jhu.edu/article/985858 📷: Joan Marcus

Isabel Rose Azar reviews the Royal Shakespeare Company’s 2024 production of Othello, directed by Tim Carroll 🎭: www.rsc.org.uk/othello/past... 📰: muse.jhu.edu/article/985856 📷: Johan Persson

Kathleen Mitchell reviews the Cincinnati Shakespeare Company’s 2025 production of Twelfth Night, directed by Brian Isaac Phillips 🎭: cincyshakes.com/on-stage/twe... 📰: muse.jhu.edu/article/985863 📷: Mikki Schaffner

Geoff Ridden reviews the Oregon Shakespeare Festival’s 2025 production of Julius Caesar, directed by Rosa Joshi 🎭: www.osfashland.org/productions/... 📰: muse.jhu.edu/article/985855 📷: Jenny Graham

Abhirupa Roy reviews Acharya Brojendra Nath Seal College’s 2025 production of Sabbas Shakespeare, directed by Rupayan Mukherjee and Agneyo De Sarkar 📰: muse.jhu.edu/article/985860 📷: Rousan Alam

Ceola Daly reviews Shakespeare's Globe’s 2025 production of Romeo and Juliet, directed by Sean Holmes 📰: muse.jhu.edu/article/985861 📷: Tristram Kenton

Yu Jin Ko reviews the National Changgeuk Company of Korea’s 2025 production of The Merchants of Venice, directed by Sung-youl Lee 📰: muse.jhu.edu/article/985857 📷: National Changgeuk Company of Korea

Isobel Strevens reviews the Red Rose Chain Theatre Company’s 2025 production of Hamlet, directed by Joanna Carrick 🎭: www.redrosechain.com/theatre-in-t... 📰: muse.jhu.edu/article/985852 📷: Bill Jackson

Emily Parise reviews the Center Theatre Group’s 2025 production of Hamlet, directed by Robert O'Hara 🎭: www.centertheatregroup.org/shows-ticket... 📰: muse.jhu.edu/article/985854 📷: Jeff Lorch