Zac Whittenburg
@trailerpilot
Stockholmer, cyclist, grantmaker, shutterbug, writer, and a few other things. Posts are mine alone, he / him, reskeet ≠ “I think”
Spotting two 2CVs in one week feels like finding a penny on the sidewalk, heads up
If I told you how beautiful it’s been here in Stockholm the past few days, you wouldn’t believe me
Recent curtain calls: Akademiska kapellet after Respighi’s “Pines of Rome” at Uppsala universitet; ensemble members after the inaugural Midsommardans festival on Grinda; ensemble members after Chekhov’s “Måsen” at Slipvillan; and Norrdans after Forsberg’s “Pianofavoriter” at Fatbursparken
Three years ago today, while walking through Chartres toward its famed cathedral, my friend and I happened upon the Black and White Brass Band, whose mascot is a panda bear named Elvis 🎺 🇫🇷 🐼
Against a dramatic backdrop of clouds over Stockholm, the Swedish Air Force celebrated its first century today with a flyover of more than 50 aircraft, including 22 jets in formation as the number 100.
Precursor to the Infiniti Q45, the CUE-X is still among the best, most timeless shapes from the heyday of the Nissan Design Studio, like an updated Ferrari Pinin or a better-proportioned Aston Martin Lagonda. Nissan’s affordable elegance period didn’t last long, but it sure gave us some pretty cars.
Beautiful dancing last night in Stockholm by guest artist and Paris Opéra Ballet étoile Guillaume Diop, in GUSTAVIA by Amir Chamdin and Pär Isberg 💐
My husband wasn’t kidding when he said the rooftop terrace at his new office has nice views
What a treat to see Chicago musicians perform here in Stockholm. Glad I was able to catch the Whitney Johnson–Lia Kohl–Macie Stewart Trio tonight at storied jazz club Fasching. bit.ly/4dWU9GI @intlanthem.bsky.social
Four photos by Ashik Zaman from my second performance of FÅ MIG at Konsttillfälle 2026 in Stockholm. It was a lot of fun. I am also very sore today 🛎️
Recent curtain calls: Simone De Giovanni, Phex, and Petra Audrey Mangoua Youaleu in Jacopo Jenna’s MANIFESTUS; Marcus Baldemar, Joaquín Collado, and Pär Andersson in Björn Safsten’s HEMSÖKT ÅTRÅ; Lilian Steiner in Steiner’s DANCE BECOMES HER; and Courtney May Robertson in Robertson’s HUNTER
My first-ever performance in Sweden was today (and repeats tomorrow). I’m grateful to everyone who came to see FÅ MIG at Konsttillfälle, to Lill-Marit Bugge and Örjan Wallert for the invitation, and to Kasia Syty for the photos 🛎️
Paul Goldberger is “not unhappy that the normally prim world of traditionalist architecture is squirming right now.” bit.ly/4tuoSRl
“Nordbor” at Nordiska museet inventively organizes 500 years of history in three overlapping ways — by century, by season, and along three parallel tracks: family, nature, and thought. It is a rich experience and was extremely helpful as an orientation to my new home. bit.ly/4n7HYeu #WPFD2026
Last night at Konstnärshuset I caught a performance by Jordana Loeb and Anders af Klintberg of “Wooden Feedback – Nine Boards,” now available from independent, nonprofit record label and book publisher ɪʀlɪçt t.ly/1NCOR
The vibe today in Stockholm is festive, as it is both Valborg and King Carl XVI Gustaf of Sweden’s 80th birthday. Jet formations flew over the Royal Palace this afternoon 🇸🇪👑🔥🥳
Recent curtain calls: Louise Dahl and Sam Huczkowski in LA RONDE at Moderna Dansteatern, Norrdans in KNOCKING at Dieselverkstaden, Nina Jeppsson and Josephine Kylén Collins in NORMA JEANE BAKER OF TROY at Turteatern, and GöteborgsOperans Danskompani in HAMMER at Dansens Hus
Highlights from the Contemporary Art and Design auction at Bukowskis: an Andy Warhol creepshot of Pope John Paul II (1975), Bert Stern’s silhouette of JFK Jr. (1996), Max Modén’s capture of Greta Thunberg with Barack Obama (2019), and Terry O’Neill’s portrait of Isabella Rossellini in London (1984)
As proof, here’s yours truly racing one-dog juniors in or around 1987
Fairly trivial, personal milestone: As of today, I have more connections on LinkedIn (2,306) than I had followers the day I quit The Other Place (2,305), more than two and a half years ago. (I quit Instagram, too, last summer.)
Amidst everything, I couldn’t be more grateful for today’s presentation by French-Algerian designer Walid Bouchouchi for students at Beckmans Designhögskola. He covered a ton of history while summarizing numerous projects, many of which can be simply described as “decolonialist typography.”
Achievement unlocked: I have now been published in Swedish. Two essays by me are in the program book for the Royal Swedish Ballet’s spring mixed bill, LIFAR / FORSYTHE, through April 29 at Kungliga Operan. All gratitude to Nicholas Ringskog Ferrada-Noli for the opportunity and translation!
Home from a lovely overnight in Uppsala for an early Påsk with the in-laws. The old capital’s cathedral — the tallest in Scandinavia — looked great against some weather coming in.
One enters the church complex from one side directly into a cylindrical space with a water feature and an enormous, circular skylight. It sits high on a stone ridge you can walk right up from the sidewalk and it apparently has a deep basement which contains its columbarium.
Since first visiting my new neighborhood in Stockholm last spring, I’ve been curious about its Uppenbarelsekyrkan (Church of the Epiphany), designed by Johannes Olivegren and built from 1959 to 1961. Today was sunny and I had time so I ducked in to check it out and wow, just wow bit.ly/47z6Ghe