William J. Meyer
@bywilliamjmeyer
writer, so forth // The Orrery of Tomorrow • The Transposition of Chloë Brontë • Mutatis // #AudioDrama : #Theatre : #GameDev // byWilliamJMeyer.com
big fan of compositions where a character hides in plain sight, this one is from ‘The Ox-Bow Incident’ (1943)
some research for an #AudioFiction and #AudioDrama presentation I’m doing next month
Picking up STAR MAKER by Olaf Stapledon where I left off (a year ago? two?) Plotless universal history, ebb and flow of utopias and dystopias, fantastical evolutionary strains— some manner of animistic consciousness— guessing it influenced the Genesis game I was obsessed w/in high school— STARFLIGHT
The Academy Museum was free today. I got to see this beauty. The moviola Verna Fields used on JAWS.
last time I saw DERSU UZALA was on VHS, a treat to see it last night on 35mm
1934 black and white photograph of a giant representation of the face of Italian dictator Benito Mussolini hanging on the facade of Palazzo Braschi in Rome, Italy. The face is surrounded by the word "SI" (yes) repeated in twelves columns and eleven rows. Unknown photographer.
Hi #GameDev + #IndieGameDev my name is William. As a Title + Motion Designer I’ve worked on Lauren Bacall's final film and the DARKEST DUNGEON II teaser trailer. Check out my reel if you need typography, motion graphics, or 2d puppets for your trailer or game. Or bookmark me for later! wjm.carrd.co
I see you and raise George Peppard’s sweet ride in DAMNATION ALLEY
there’s one simple theatre hack anyone can use to improve their performance of the scottish play almost overnight
randomly stepped into a hobby shop a few weeks back to find this lovely lady— do you recognize her? cast from the original mold, no less! (seen in the bkgrnd)