Daisy Patton

@daisypatton

Exploring memory and living archives, the (disabled) body, story-carrying, and social/reproductive histories. 📍Western MA She/her

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Daisy Patton @daisypatton· Jul 24

Today's the 1 month anniversary of the devastating earthquake in Venezuela. I have a #painting in this fundraiser for Yo Tengo un Sueño, which has supported Venezuelan youth in underserved communities for 10+ yrs. 100% of proceeds will be donated, offers welcome. www.artsy.net/show/rancho-... #art

"Untitled (Magenta Woman in Blue with Heart Leaf)," 30"x18.5", oil on archival print mounted to panel with frame and arch, 2024, photo sourced from Lapeer, MI

A painted over photo of a woman, head and shoulders portrait, whose face is washed with bright magenta. She is facing the viewer, with floral pattern emerging at the bottom, and the background is a series of bright blues. The painting is frame with a black frame that has painted patterning, as well as an art deco style arch at the top.

A flier with a black and white abstracted landscape with palm trees as a background.

The text reads: LAS QUINCE LETRAS
An ARTSY benefit exhibition presented by Rancho Kaya, organized by artists to raise funds for Yo Tengo un Sueño
July 22 - August 21, 2026
Cassandra Mayela Allen, Veronica Bello, Luca Bornoffi, Gabriela Brito, Frederica Brito e Cunha, Tyler Casey, Andrés Ciccone, Ivan Daniel Cova, Rubén Echeverría, Ike Ferreira, Javiera Gart, Juan Carlos Gerbasi, Harif Guzman, Charlotte Hodges, Sylvana Kiss, Domingo Luciani, Estrid Lutz, Sofia Mac Gregor, Kathryn MacNaughton, Alexander Mignot, Nicole Nadeau, Piroeh One, Daisy Patton, Francisco Rivas, Francisco Tavoni, Valeska Vera

Daisy Patton @daisypatton· Jun 21

A cute little bear snacking on the black raspberries in our yard 😍

A smaller black bear perusing the black raspberries in our yard

Daisy Patton @daisypatton· Jun 13

Slowly finishing off the remaining work for my solo "The Place of Flowers" at Denver Botanic Gardens this September—@sciedhenry for scale 💖 #art #painting

A lifesize painting of two grooms shaking hands and a groomsman standing behind and between them peeking over. They all have bright pinks and purples washed over them, the groom on the left with a bright orange pinstriped suit and the groom on the right wearing a pink flatly painted suit. The painting is a painted over photo in oil paint, part of the Forgetting is so long series. The men are standing outside on on a sidewalk in front of some houses. The painting is frame in a peach, with an antique Eastlake wood salvage pediment. A man wearing a green baseball cap and beard stands next to the painting wearing jeans and a white graphic t-shirt.

Daisy Patton @daisypatton· May 24

According to Seek, it thinks it's bur clover! I love using this app because we've been letting our yard go wild and we can ID a lot of interesting plants that pop up that we didn't plant at all. The burs on this look gnarly tho!

Screenshot from the identification app Seek identifying bur clover. It has a photo with little yellow flowers and the following text:
Bur Clover
Medicago polymorpha
You observed it on May 24, 2026
ABOUT
Medicago polymorpha is a plant species of the genus Medicago. It is native to the Mediterranean basin but is found throughout the world. It forms a symbiotic relationship with the bacterium Sinorhizobium medicae, which is capable of nitrogen fixation. Common names include

Daisy Patton @daisypatton· May 23

Our beloved Wallace is having the same trajectory but it's blueberries and cookies and hand feedings despite bad teeth that should have taken him out. He's been in palliative care for just about 2 years, which is enormous for a guinea pig! We love him so much 😍 good to see this works for others!

A brown and white guinea pig smiling inside a towel in a living room. He's watching tv with me

Wallace our guinea pig is brown and white eating critical care from a syringe with his front paws criss crossed adorably as he sits in his special bed

Daisy Patton @daisypatton· May 9

I see time as a series of cycles—the past is not separate from us, and understanding that helps us dream better futures that let us learn from the lessons of before. Working on The Place of Flowers, opening Sept. at Denver Botanic Gardens 🌿 #art #painting

Daisy Patton @daisypatton· May 1

Ohhhhh this essay about the ways we remember Kirk (and masculinity) have been really distorted from TOS and is very good! strangehorizons.com/wordpress/no...

There is no other way to put this: essentially everything about Popular Consciousness Kirk is bullshit. Kirk, as received through mass culture memory and reflected in its productive imaginary (and subsequent franchise output, including the reboot movies), has little or no basis in Shatner’s performance and the television show as aired. Macho, brash Kirk is a mass hallucination.

Daisy Patton @daisypatton· Apr 21

Really excited with how the show is progressing for @denverbotanic.bsky.social—opening this fall, "The Place of Flowers: Works by Daisy Patton" #art #painting

Two life-size paintings on a white wall in my studio. On the left is a painted over photo on canvas of two Iranian women seated in front of a floral curtain. There is a potted flower plant to the left, and both women are washed in bright magenta and lavender. A multicolored floral pattern emerges from their hands and encircle them. The painting is framed with floral fabric, fabric flowers and tassel at the bottom. At the top center is a pane of mirror glass, all known as aneyeh kari.

On the right is a painted over photo on canvas of two Indian men seated on a swing whose ropes are covered in flowers. The seat has a patterned blanket, and the floor is patterned as well. The men both have color washes on their hands and faces, and each have different floral patterns encircling them. The painting is framed with two different fabrics, one geometric and used to create "curtains" and the other a floral one. Brown tassel fringe lines the bottom of each curtain and the bottom of the painting, and two individual large tassels are in each upper corner.

Daisy Patton @daisypatton· Apr 20

I had no idea of this...worth the read—feels like a microcosm of so much of our current moment and its ills

In 2003, the mighty Florida orange industry produced 242 million boxes of fruit, with 90 pounds of oranges per box, most of which went on to become orange juice. Now, not even 25 years later, the United States Department of Agriculture was forecasting a pitiful 12 million boxes of oranges, the least in more than 100 years, the worst year since last. A decline of more than 95 percent.

Daisy Patton @daisypatton· Feb 12

As someone who just moved out of a storage unit to cut costs, so much of this article resonates

None of this erases the underlying problem. It names it. The precarious archive is not an anomaly. It is a condition of contemporary artistic life. It asks artists to imagine a future audience while living in a present that offers very little security.

To name this is not to confess failure. It is to refuse the lie that artists are solely responsible for their own erasure. The archive is not just a personal burden. It is a cultural infrastructure. If we care about artists’ legacies, we have to care about the conditions under which those legacies are allowed to survive, long before the market decides they matter.

Daisy Patton @daisypatton· Jan 30

With rent due soon, I'm highlighting folks doing rent and another for rapid-response trainings and infrastructure, both of which are at the top of my linktree. I also have Stand with Minnesota’s website, if you see another org you’d like to donate to/split your donation, please let me know 2/2 #art

A woman washed in hot pink rests her head in her hand with flowers on her hand and on top of her head, with a pink background and wearing a green kimono

Daisy Patton @daisypatton· Jan 30

I'm offering these paintings to help support folks under siege in MN—see my linktree in my bio. I will cover shipping, and each 10"x8" work is minimum of $700. Please DM and/or reach out if you are interested in one of these! I will update as works are no longer available ❤️ 1/ #art

Small portrait of a woman with a fucsia purple wash over her face wearing warm dark purple and a light lavender pink background. Over her face and body is a silver ornate pattern

A woman wearing dark rose pink with a periwinkle blue background has a yellow vine encircling her and framing her eyes

A man wearing a sweater is enveloped by a light blue cloud and has red coral vines coming from his head with a Kelly green background

A smiling girl has pink brushstrokes covering part of her face and two circular warm beige vines with red and white flowers in front of her shoulders

Daisy Patton @daisypatton· Dec 30

I will never understand why cancer patients and immunocompromised people seem to be unworthy of protection in our society. A simple mask is just too hard to help keep someone safe. No values, no morals, no collective care.

A sign for an infusion center inside the oncology building in a hospital with a small stand that says masks optional

Daisy Patton @daisypatton· Dec 24

A little walk, we spent time with a lovely little waterfall

Daisy Patton @daisypatton· Dec 22

And now the baghlava cake!! Trying very hard not to get into it before it sets 😋

A close up of a pastry dish from Iran called baghlava cake, squares of cake with pistachios sprinkled on top

Daisy Patton @daisypatton· Dec 21

My fereni for Yalda—it's a rosewater rice pudding with chopped pistachios on top. Not bad for my first time and it's vegan!

A close up of ramekins on a granite countertop with fereni (rosewater rice pudding, an Iranian dessert)

Daisy Patton @daisypatton· Oct 30

I loved this piece too 🤩 I wish I had gotten to spend more time at the show, there were so many incredible details to absorb!

A mixed media painting with a red background with text that says Abolish Patriarchy Abolish Capitalism Abolish White Supremacy Abolish ICE Abolish Settler Colonialism Abolish Monarchies Abolish Religions Abolish Caste Abolish Xenophobia and more with a painted blue female figure holding a drill with flowers coming out of it and a pencil in her other hand with many faces

Daisy Patton @daisypatton· Oct 24

I donated this afternoon before seeing this, fantastic!

Screenshot of an email donation to the Food Bank of Western Massachusetts for $100

Daisy Patton @daisypatton· Oct 3

It's often belittled as weak, unnecessary, irritating. Those reactions are dehumanizing—we grieve because we love. And most importantly, in grief, we act. "Untitled (Who is not better than him?)"*trans from Arabic, 91"x74"x3", oil on archival print canvas w/fabric, embroidery, tassels, flowers 4/4

A last detail showing more of the black velvet framing the painting, as well as the drooping portion of the fabric that has white tassels at the end.

"Untitled (Who is not better than him?)"* translated from Arabic, 91"x74"x3", oil on archival print mounted to canvas with fabric, embroidery, tassels, fabric flowers with buttons, photo sourced from Cairo, Egypt

Daisy Patton @daisypatton· Oct 3

So many are under attack right now, but that doesn’t mean they should be abandoned. We are part of a greater whole, and we all deserve protection. Grief is a form of carrying, protecting, loving, preserving. Mourning allows us to express our emotions, recognizing our humanity and others. 3/

Detail of the painting showing the body of the woman on the left, as well as a closer view of the objects on the table (gun, medals), as well as the fabric flowers on the velvet that frames the painting.

"Untitled (Who is not better than him?)"* translated from Arabic, 91"x74"x3", oil on archival print mounted to canvas with fabric, embroidery, tassels, fabric flowers with buttons, photo sourced from Cairo, Egypt

Daisy Patton @daisypatton· Oct 3

My work is about devotion and care—that each life is worthy of joy, beauty, love. Phrases like “the vulnerable will fall by the wayside” or comments about how some are a small percentage of our population are horrific to me—when we are asked to see someone as disposable, we must resist. 2/

Detail showing the woman on the right, and the floral pattern emerging from the man that moves through the painting in a heart shape. The flowers themselves are heart-shaped. The woman is washed in a purple magenta, her outfit pink mourning dress.

"Untitled (Who is not better than him?)"* translated from Arabic, 91"x74"x3", oil on archival print mounted to canvas with fabric, embroidery, tassels, fabric flowers with buttons, photo sourced from Cairo, Egypt

Daisy Patton @daisypatton· Oct 3

In moments like these, we are asked to treat others as expendable, ready sacrifices that will supposedly protect against additional harm. That has never, historically, been the case—they will continue to devour, over and over, until there is either no one left or they are stopped. 1/

A lifesize painting over photo on canvas of two women on either side of a large framed photograph of a man. The man is washed in hot pink, and the two women look up to him, wearing mourning clothes. The background is painted silver, and the framed photo rests on a table with a turquoise tablecloth that holds small boxes containing medals, as well as a gun.

The painting is framed with black velvet with floral patterning, and white flowers are stitched under the curve at the bottom of the painting. White tassels are attached at the bottom points on the right and left.

"Untitled (Who is not better than him?)"* translated from Arabic, 91"x74"x3", oil on archival print mounted to canvas with fabric, embroidery, tassels, fabric flowers with buttons, photo sourced from Cairo, Egypt

Daisy Patton @daisypatton· Sep 18

I've said this before—we live in the world COVID built. Accepting "the vulnerable will fall by the wayside" let the wealthy learn they could sacrifice many easily. Even in this surge, ppl won't mask to practice care. Trump started this, but Biden solidified and was a stopgap for entrenched fascism

By now, the COVID-19 pandemic should have shown us that we’re supposed to rise to the occasion by meeting needs, not fall in line behind fascist incursions. The same forces that encouraged us to sacrifice the disabled, poor, and unhoused to a distorted idea of “natural selection” now instruct us to ignore the genocide of Palestinians. The same forces that pushed conspiratorial misinformation about public health and vaccination want us to give up on practicing collectivity. It’s connected because if we cannot be relentless in our determination to interrupt what’s unfolding before us, then we risk it becoming a disturbing norm.

Daisy Patton @daisypatton· Sep 17

The disposability of humans across everything—eugenics, AI, government, etc.—is breathtaking in its scope. Our survival depends on breaking these systems of inhumanity

There's a part of me that will never forgive the tech industry for what they've taken from me and what they've chosen to do with it. In the early days as the dawning horror set in, I cried about this almost every day. I wondered if I should quit making art. I contemplated suicide. I did nothing to these people, but every day I have to see them gleefully cheer online about the anticipated death of my chosen profession. I had no idea we artists were so hated—I still don't know why. What did my silly little cat drawings do to earn so much contempt? That part is probably one of the hardest consequences of AI to come to terms with. It didn't just try to take my job (or succeed in making my job worse) it exposed a whole lot of people who hate me and everything I am for reasons I can't fathom. They want to exploit me and see me eradicated at the same time.

Daisy Patton @daisypatton· Sep 16

It was a tough summer and now the start of a busy fall season, I'm excited to share this new headshot, as well as some upcoming shows in the coming posts—I'd be so delighted if you signed up for my newsletter, which you can find at the bottom of any page on my website ✨ www.daisypatton.com

A white femme looking person stands in front of a painting, wearing colorful puffball earrings, a dark green dress with paisley patterning, looking at the camera.

Daisy Patton @daisypatton· Sep 8

Here, houses are more than walls and roofs. They hold footsteps, smells, echoes of conversations. They keep the map of your life. When too many are gone, the city itself begins to forget. Streets lose their shapes, people lose their usual routes and routines, the landmarks that once oriented them—the corner shop, the mosque, the old tree at the end of the street. The mind’s map slowly disappears. And when a city forgets, the people lose more than shelter—they lose themselves, the proof of their existence and belonging.

Daisy Patton @daisypatton· Sep 5

33 cups of basil equals this much pesto 😅😋 This is a 9 cup Cuisinart so we'll be freezing the rest 🤩

A full to the brim cuisinart with pesto on a countertop

Daisy Patton @daisypatton· Aug 29

I’m thrilled “Untitled (Three Women with Dandelion and Wild Rose Vines)” has joined the Ulrich Museum collection! I’m grateful to curator Jo Reinert and registrar Taryn Trapini. Public institutions esp academic settings are dear to me, & the source image is from Iran, so it is also a personal work

"Untitled (Three Women with Dandelion and Wild Rose Vines)," 44”x49.25”, oil on archival print mounted to panel with found mirror frame, 2024, photo from Iran sourced from New York City, NY

A painted over photograph of three women posing together. One woman, with an orange wash over her face wearing green, is seated, while two women on either shoulder lean over her. The left woman wears a dark blue dress, her arm painted lavender with a dandelion patterning over it, and more emerge from her lavender hand resting on her friend. On the right is a woman washed in pink wearing a turquoise dress with a wild rose vine emerging from her hand. The background is a flat brick red, and the painting is framed in a periwinkle and white painted old mirror frame with patterning that is similar to ornate Persian miniature paintings.

Detail of "Untitled (Three Women with Dandelion and Wild Rose Vines)," 44”x49.25”, oil on archival print mounted to panel with found mirror frame, 2024, photo from Iran sourced from New York City, NY

This view shows a close up of the lower left corner, including the frame, as well as mode of the seated woman smiling. You can see painted metallic gold and silver crosshatching her clothing and pink dots on the blue dress of the standing woman.

Side detail view of "Untitled (Three Women with Dandelion and Wild Rose Vines)," 44”x49.25”, oil on archival print mounted to panel with found mirror frame, 2024, photo from Iran sourced from New York City, NY

This shows the upper right portion, including more details of the frame, as well as a closer view of the standing woman on the right.

Daisy Patton @daisypatton· Aug 8

Collective memory is shaped by the people carrying each story and history, as well as larger forces like institutions and governments. What we think about the past is not always as it was, but rather skewed through a different lens. I think a lot about what we choose to remember, who 1/2

Lifesize oil painting of a painted over photograph of two younger women, posing next to a green tree that is shaped in a V. One woman is seated in the center, and the other stands behind her wearing a hat. Both have a color wash over their faces and hands, blending from pink to orangey red. The grass is textured paint with pinks, magentas, and yellows, and a floral pattern emerges from the seated woman.

Detail of the painting showing the pink ground and its texture, the frame which is a light creamy yellow and painted floral pattern in blues and white, and showing the seated woman's red shoes.

Detail of the two women and their clothes—seated woman wears a plaid blue dress with a chartreuse undershirt, and the standing woman wears a mauve oversized shirt. The seated woman is leaning against the tree.

Daisy Patton @daisypatton· Jul 14

I'm working on a series-within-series from the Forgetting is so long work with photographs I am taking of people who have lost loved ones due to COVID. I am always seeking more volunteers to collaborate with, if you live in New Englandish area. More in the text below 💕 #art #painting #wip