Dan Lockton
@danlockton
Utrecht, NL + Norwich, UK Prof of Design & Imagination, Norwich University of the Arts ⦿ Director, Institute for Sustainable Worlds ⦿ Design⸻imagination⸻climate⸻futures ⦿ ⦿ he/him ⦿ Not employer's views
There's a curious complex web of financial scandals around the Laforza's short life, which I'll write about one day www.independent.co.uk/news/busines... —it involves, among other things, a set of obscure petrol brands, coal mining, and the one-time makers of Yoohoo milkshakes & Champale malt liquor
If you lived in Pigeon Street Here's a Royal Highland Fusilier you could meet Here's the pigeon who who would say Coo coo coooo coo coo, Coo coo coooooooo coo coo Every day
The illustration style reminds me of what was used for "humanoid alien encounters" in The Unexplained. Nevertheless, this c1969 ad for Freedom Petroleum of Broadheath Oil Works, Altrincham—HF Brien & Co—leads into some interesting #petrolstations #petrocultures history www.flickr.com/photos/danlo...
Nice glimpse of the Oakstead logo on the shop front, matching well with the Total colours. Oakstead Garages (insolvent 1997) was for a while one of the largest chains of service stations, operating under major oil company brands, although they'd acquired Carburol to use as their own lubricant brand
I don't know what effect it's having on me that my office window, the Institute for Sustainable Worlds, at Norwich University of the Arts, looks out directly onto Anglia Television's studios, where Alternative 3, Tales of the Unexpected, and so many other things were made, but it's doing something.
Pretty sure I remember this Haden kettle (or one very similar) from a 1980s Usborne children's book about how to draw — there was a sketch of this shape next to a more bulbous one that looked clumsy and gauche in comparison to this one's futuristic functional elegance. I wonder who the designer was?
Also have to note: the bronze-glazed abandoned former Scottish Widows HQ on Dalkeith Road (opened 1976, architect John Hardie Glover of Sir Basil Spence, Glover & Ferguson) would work very well as the setting for something. Super-Cannes meets @benpester.bsky.social's The Expansion Project.
And then on by train from Newcastle to Edinburgh, with some nice coastal views (pictured: Alnmouth) on the way. The check-in at the halls of residence was friendlier than in 'Halls of Residence' bsky.app/profile/danl... and building different, but the room—and corridors—feel similar, somehow…
Beautiful sunrise and arrival into North Shields, then the bus into Newcastle. A couple of Dutch kids very excited to see een rood telefoonhuisje (even though it was a 1990s New World Payphones one 😅)
The most impressive/unexpected thing was a wildlife talk and collective watch (unsuccessful this time) for whales, dolphins, porpoises, etc, run by ORCA www.dfds.com/en/passenger...
A very pleasant journey, with amazing views. These from last night. One of the wind farms off the Dutch coast is under construction.
At IJMuiden. The lettering on the terminal building makes it look more sinister than I was expecting. The Tata Steel plant across the IJ on a rainy day has the kind of colour tint I've come to associate with my years in Pittsburgh, or 1950s colour photos of industry, somehow.
On my way from Utrecht to #drs2026 in Edinburgh drs2026.thedrs.org — decided to try the DFDS IJmuiden–Newcastle ferry. Train from home (sunny) to Amsterdam (rainy), then coach transfer, similar to how Rotterdam–Hull works. A bit less convenient than proper train/metro connections of Hoek–Harwich.
New short story: Double Album, in the latest issue of Glyph magazine glyphmag.co.uk/read-glyph/ (free download). I'm not sure it's really horror horror, more like technology-mediated unease. Thanks to everyone at Glyph!
Interested in how New Metaphors can help us imagine futures in new ways? Join @jochamb.bsky.social, Palak Dudani, and me at Norwich University of the Arts from 21–24 June for an intensive, immersive, and international workshop norwichuni.ac.uk/events/new-m... — please share!
Enjoying my first few minutes reading this, but I'm pretty sure that comma shouldn't be there unless in an amazing coincidence, the Ballards had a chauffeur with the same name as their car.
Our two speakers will share, via their own international work, how artistic methods and architectural practice can intersect with imagination through a critical justice lens. Please register to get the Teams link, or if in Norwich, join us in person!
The obscure rabbit deity Augustus Honeybun was worshipped in the wild south-west extremities
I've only ever seen black-and-white versions of the BNOC logo in old newspaper job ads, but I'm guessing it was red/white/blue much like Britoil later was. Not the most exciting—definitely not up there in the pantheon of the best British nationalised industry logos.
Interesting that the misaligned fog/spot lamps on what looks a bit like a Williams & Pritchard-nosed Sprite www.sebringsprite.com/williams-pri... aren't considered a mistake. In this era often one was a fog-light (to be seen) and one a spot-light (to see), so it didn't necessarily matter, but still…
How can playful creative activities help teams from different disciplinary backgrounds collaborate? We’re launching our Library for Transformative Play at Wageningen University & Research, Netherlands, tomorrow, 24 February, 16.00–17.00 CET. It's one of the outcomes of Playing with the Trouble...
For anyone familiar with New Metaphors imaginari.es/new-metaphors/ this is the same daymark, near Coleton Fishacre maps.app.goo.gl/M1x5qTUjibE5... en.wikipedia.org/wiki/Kingswe... featured as a possible metaphor in the card deck.
Fascinating to read the (AI?) description here—including that the DwI cards are "a widely respected behavioral design and UX strategy tool used by designers, researchers, product managers, and innovation teams." www.ebay.com/itm/19797979... $135 (download them here imaginari.es/wp-content/u...)
Many thoughts about this, but as @apiln.bsky.social has detailed so well over the years, "fury at X" has become the default pattern for what was once proper local journalism. Also, imaginaries of real places as slogans/utopias/dystopias are fascinating to see in practice, from NL to Baltimore.
I sit, silent, cold, and armless, on the edge of my seat as the poltergeist once again levitates the mysterious laptop, book, and headphones all around me
These birds (in snowy #Utrecht this afternoon) all eat invertebrates, such as Keir Starmer they also understand twitter better