Eric Shmeric
@ericdienstfrey
Film/Media/Comm/Sound MAKING STEREO FIT www.ucpress.edu/books/making-stereo-fit/ Lover of Kiarostami, Rivette, Sondheim, Philip Roth, The Dark Tower, Twin Peaks, Pale Fire, Calvino, and Taylor Swift. "The cinema has not yet been invented!" - Spinoza
Anyone else out there follow the necessary conversation family? The parents are hardcore MAGA while the son and daughter (both anti-Trump) patiently talk politics with them. Anyway, the mom is now saying "Abolish ICE." It's one person, but that feels significant as we head toward then midterms.
One of his potential victims? A sound effects designer. The film is a beautifully executed art-horror that is far more interesting that the usual suspects of early Dolby Stereo releases. Nice to see Criterion's blu includes the original 2.0 surround sound mix. www.criterion.com/films/27993-...
THE SHOUT! Finally! Among the few truly experimental uses Dolby in the late 70s. Mixed by Pinewood's Gordon McCallum & Graham Hartstone, who were initially skeptical of Dolby, and who would later design the split-surrounds for SUPERMAN. The premise? A man with a voice so loud it kills people.
Also, we need to talk about how stunning these books look, matching spines to boot!
The last batch of birthday presents arrived. Did not anticipate Italian Folktales being quite so large. Again, publishers, don't throw away the designs of the spines. Look at those gorgeous Kunderas!
Saw this for the first time a few years ago and was shocked by how bad it was.
Arrow is releasing FORBIDDEN PLANET alongside its original Perspecta stereo soundtrack. Though, it doesn't look like the original 4.0 surround sound mix will be included. AFAIK, this was *the* stereo mix of the mid-1950s, MGM's attempt to one-up Fox.
For context, people were bullish on Beto when he trailed by 5. Y'all.
Philip Roth on Anne Frank's place in literary history, from his appropriately titled novella The Ghost Writer.
I know that @cinementalist.bsky.social and @markharris.bsky.social both know this, and certainly my wife @kqsound.bsky.social knows this... but my goodness HEARTBURN is one of the greatest films of the 1980s in every measurable way. Every moment. Anyway... HBD Nora Ephron!
They're slowly rolling out new Nabokov covers, so naturally I'm using this opportunity to slowly collect them all (already got PALE FIRE & PNIN). But the B&Ns still carry the older versions on their shelves. I'm wondering if these 3 are phantom covers, like what happened with the Malamud reissues.
Calvino's SIX MEMOS is the real deal. The final chapter especially, my goodness.
I had no idea the original poster was so emo, but this film. Kore-eda's AFTER LIFE. I love Ozu, Oshima, Kurosawa, the whole gamut. But AFTER LIFE remains my favorite. (Would make a nice double feature with DEFENDING YOUR LIFE, as well.)
On the corner of Valley Forge and Stump Hall near Skippack. Seems safe.
Top 5 Favorite Lubitsch Films: 1) TROUBLE IN PARADISE 2) TO BE OR NOT TO BE 3) HEAVEN CAN WAIT 4) SO THIS IS PARIS 5) THE MERRY WIDOW
The dream: A well-designed clothbound novel with no accompanying dust jacket. Especially if that novel is Calvino's IF ON A WINTER'S NIGHT A TRAVELER. (Fingers crossed there isn't a misprint in chapter two that leads me on an adventure involving literary terrorists and fascist book burners.)
Cleaning up my computer and found this random screenshot potentially about the first known recording of sound on film -- an 1899 German patent from a Russian Prof. Poliakoff. Feel free to do with this info what you will.
Those new "old" Scribner covers for Stephen King's classic novels now include a few later ones. Looking sharp!
"Is Sinners a horror film, or just a film with horror elements? Discuss."