Kristina Gehrmann
@kristinagehrmann
Freelance illustrator for books & publishing. Fantasy, romance, history. Clients include: HarperCollins, Penguin, Hachette, Darrington Press, book boxes etc. She/her, deaf. #NoAI www.kristinagehrmann.com info@kristinagehrmann.com
Something about "you are the product" (bacon) Or maybe the investors are the bacon #genAI
Selling mentorships to artists and sending unsolicited marketing emails, but can't even tell that I'm an illustrator, not a fine artist. 🤨Are you for real, my dude ??
Hi #PortfolioDay! I’m an illustrator with a focus on fantasy, history & narrative illustration. I want to illustrate more book covers with beautiful badass characters 🙏 🌎 www.kristinagehrmann.com 📩 info@kristinagehrmann.com
Cover for another boardgame project that might not see the light of day, but fortunately I can still share it! It has an interesting premise about mystery and intrigue at the pharao's court in Ancient Egypt.
I draw all my art on a no-screen pen tablet. Huion sent me their Inspiroy Frego M in exchange for a review: store.huion.com/de/products/... (Use the discount code KRIS10 for 10% off!) As a longtime user of an old Intuos 4, I've been looking for alternatives for when it will no longer run.
✨shitty diagram to the rescue ✨ Jeans shape A is basically just straight. Much simpler than Jeans shape B B has to fit over curves and waists which are more variables, way more variation here and so it's harder to find the right one that fits.
Possible style examples - from my experience I'm guessing they'll want the nonfiction kind of realism. Clarity and seriousness with attention to detail, plain light & color. ➡️Think museum displays or nonfiction books. NOT fantasy, stylized, flat, "pretty", romance, epic, emotional, dramatic etc.
"Guardian of Swans", based on a Magic-style art assignment from Winona Nelson's Smarterartschool class that I took last winter. This one is a "White Creature" and the mood is "I am as unbreakable as our ancient institution, and due the same respect."
"Time Travellers", cover artwork for a project that got cancelled. The idea was to show protagonists that could easily travel through various eras and places, and look like they could potentially assimilate to any of them. Medium: Photoshop CS6 and Wacom Intuos 4, as always.
The Divine Trio Commissioned character art for "The Last One" and "The Cruel Dawn" by Rachel Howzell Hall (@rachelhowzell.bsky.social ) 💙
I love the detail and storytelling in your work! This is some of my art for (or inspired by) print games, I'd love to do more like this! <3 My website is www.kristinagehrmann.com .
Hi #PortfolioDay! I’m an illustrator with a focus on fantasy, history & narrative illustration. I want to illustrate more book covers with beautiful badass characters 🙏 🌎 www.kristinagehrmann.com 📩 info@kristinagehrmann.com
Book cover illustration for the upcoming novel "Cursed by Shadows" by Liane Mars at Piper Verlag.
Recently released character art for an upcoming history/fantasy novel, commissioned by author Nina Nemesia.
My new childrens' book: "The Gallaudet Eleven: The Story of NASA's Deaf Bioastronauts" is coming soon! I just received my contributor copies (way too many 😂) Written by @kerryomalleycerra.bsky.social , illustrated by me, it tells a true story from Deaf history. #kidlit
The Knight's Favorite A wildcard for a medieval-themed tarot (that might or might not happen in the near future) where I had complete artistic freedom for the subject! ✨ So I went with "what if courtly love at the tournament, but make it gay?" 💜 Client: 78 Tarot
Age of Enlightenment A lecture on freedom and equality in the 1770s. Here I used sunlight and shadow, as well as animals, to convey additional layers of metaphor. Commissioned for a history textbook. Client: Noordhoff Uitgevers
I'm super thrilled that my book "Bloody Mary: A Graphic Biography of Mary Tudor" has been given an honor in the new comic/graphic novel award category from the ALA. 💚 www.ala.org/gncrt/awards... In the category Outstanding Comic Awards for Young Adults, Nonfiction.
I got asked a few times how I drew the mosaic. The very un-prosaic answer is: it's just drawn manually, and not even super precisely as you can see here in 100% original size. But it still follows a specific lighting logic (top down), color logic (cold vs. warm), same as the main subject.
I love how this stock site uses "We don't offer AI slop" as a selling point and quality indicator. Hope it means there is a wider demand for that.
At the Court of the Sun King. Nonfiction book illustration showing the dinner of Louis XIV as a court performance in the early 1680s. Can you guess I love painting very detailed scenes? 😆 Client: Noordhoff Uitgevers
That's gorgeous, I love how you handled the luminescence of the green leaves 😍 My favorites of 2025 are these: "Arwen", personal work (left), and "Excalibur" (right) done in Cynthia Sheppard's Smarterartschool class.
Hi #PortfolioDay! I’m Kristina, a bookish illustrator inspired by history and mythology, with 10+ years freelance experience. 🌎 www.kristinagehrmann.com 📩 info@kristinagehrmann.com
My assignment for Winona Nelson's SmArtschool class: Choose a favorite book and illustrate a cover for it. I picked "The Song of Achilles" by Madeline Miller, and my goal was to capture a similar bittersweet tone as the novel has.
This is why our art got so much more traffic on the old Deviantart: an inbox just for new art posts from the artists we followed. I want a dedicated art platform that has this option. Why is there none today!??
"Happy Place", endpaper illustration I drew for "Sistah Samurai" by @obeytheauthor.bsky.social . For the special edition published by @thebrokenbinding.bsky.social !😊