Cassidy Percoco
@mimicofmodes
Fashion/material culture scholar. Curator at GCVM (opinions my own). Author of Regency Women's Dress, 1800-1830. AskHistorians moderator. (she/her) Links to my blog, newsletter, and Etsy shop:
Did more photos today as a combined cataloguing/inventory effort! About 17 gowns and 10 cloaks. I am totally enervated but excited to get the photos edited and added to the database next week. 🗃️🪡 #museums
And lastly, the cap that was part of the same lot. An excellent example of an informal but still somewhat dressy morning cap. Those long, rounded lappets would hang over the wearer's shoulders. The wearer's name is inked inside, but is too common to trace. hub.catalogit.app/genesee-coun...
Very cool piece that sits midway between a bonnet and a cap! I have settled mostly on "bonnet", though. It dates to 1805-1810, prior to the Regency proper. hub.catalogit.app/genesee-coun...
Still deciding what I think about her. I am sort of wondering if this is a Quaker gown - no decoration, ambiguously dateable, dark-colored silk? But as I said during the auction, it could simply be someone's "best" that was later altered. hub.catalogit.app/genesee-coun...
Initially I believed this to be a morning gown, as I think the auction described it, but when handling and dressing it I came to the conclusion that it's probably a warm-weather pelisse. There aren't enough of these out there! hub.catalogit.app/genesee-coun...
2) The motif embroidered around the train appears to be American sweetgum, native to the southeast of the United States, which might provide a hint toward the origins of the gown.
Two particular things of interest here. 1) The drawstring at the back waist is set up to be drawn in at the sides and tied off in front, *under the skirt*, which seems to me to be a game-changer for Regency costumers everywhere. hub.catalogit.app/genesee-coun...
Time to show off the new 👗s! The first is a drawstring-front gown from ca. 1800, with sleeves that extend down to the knuckles, which I love. Note that it does not open all the way down to the hem, that's a tuck. 🗃️🪡 hub.catalogit.app/genesee-coun...
Hannah Chatterton Hyde's 1857 wedding dress was made with diagonal pleats across the bodice and with bright blue silk button-ornaments sewn over the hook-and-eye closure. You can also make out the meticulous hand-stitching along the upper edge of the waistband. #WeddingWednesday 🗃️🪡
The gown these pics are from is one of those transparent 1850s confections. The record suggests it might be/incorporate piña; I am not sure.
Silk plush vs beaver fur would be screamingly obvious under higher magnification than I can achieve right now, but you can still see how much more orderly the former is.
On the left, the swirling tufts on the surface of a pair of leather breeches; on the right, individual aloe fibers twisted and wound into a net.
This is the heavy, homespun-ish cotton check of an early 19thc apron. Still fairly smooth but rather messy (the fibers are not as smooth and long as silk; they have a sort of flattened ribbon look, with bends and twists).
Silk is, in probably a shock to no-one, is a smooth and shiny bundle of long-staple fibers. Highly twisted crepe on the left, plain taffeta on the right.
In 1842, South Avon bride Julia Bassman wore an extraordinary corset for her wedding. Made of two thin layers of fabric, it was decorated with padded quilting around the bust and hip gores and in discrete foliate motifs around the waist. 🗃️🪡 hub.catalogit.app/genesee-coun... #WeddingWednesday
I have a number of vintage patterns that I've been meaning to digitize and grade, but for various reasons haven't. Finally giving it a try!
#FootwearFriday for real! This pair (G2005.157a-b) dates to the 1730s based on the construction and fabric design. One can imagine them worn by a woman with very small feet, fastened with a pair of gleaming silver buckles. 🗃️🪡
Does anyone in the 🗃️🪡 know what German periodical labeled plates "Moden Z"? Two examples attached. We have a good few handfuls of them and I'd like to combine them under the proper title.
For #WeddingWednesday, an 1819 wedding dress made of a fascinatingly woven figured muslin. From the shape, this would have likely been worn over an undergown with puffed sleeves to hold out these flounces. hub.catalogit.app/genesee-coun... 🗃️🪡
Translation Tuesday! Very simple one: "Hat of crepe. Gown of levantine trimmed with self-fabric flounces." From the Journal des Dames et des Modes, 1818. hub.catalogit.app/search/genes... 🗃️🪡
Pretend it's #FootwearFriday, because I have a lovely treat. This lone slipper is all that remains of a pair that must have been worn to a splendid party or two in the 1860s, likely with a gown in a matching shade of pink. hub.catalogit.app/genesee-coun... 🗃️🪡
I didn't realize that I have access to the storage areas until late yesterday, so I made sure to go in today and do a bit of work there. 🗃️🪡
I finished one Folk Knitting of Estonia sock, and now have started a much simpler and smaller sock. I figured that once I finish this I'll be ready to do another heavy colorwork project ...
Here's a mid-19th century jug from Noah White's pottery in Utica, NY in the GCVM collection! hub.catalogit.app/genesee-coun...
Photographed these FIC clogs today - I found a piece of grey velveteen to use for a backdrop and draped it over a piece of cardboard. It's really giving Sears photo studio, which I think is because the pile reflects light oddly and looks kind of like clouds. hub.catalogit.app/search/genes...
Belatedly adding an alt-text version of the picture because I try not to repost images without alt-text!
I can't find the original post, but here's an early imitator from 2022.