House & Field Negro Quarterly
@morethanmud
i run a tight shipwreck; coming here was your first mistake. fuck ai. i block that shit on sight. this be the art/art appreciation account of @upfromsumdirt.bsky.social art samples
artist rebecca maria creates 9 ft tall clay statue honoring sade (commissioned by a very disgraced rapper from canada, no need to mention him in comments)
painting by Arete Nani *& just what tea would the devil start his day with? 🤔*
paintings: Damballah La Flambeau on the left and Mistress Siren on the right
artist, Pushpamala N. during a performance at the Fine Arts Fair, Maharaja Sayajirao University of Baroda, 1983; photo by Jyoti Bhatt.
“Soy un torpe pedazo de humano, siempre amando, amando y amando y nunca alejándome”. “I am a clumsy piece of a human being, always loving, loving and loving, and never walking away.” -Frida Kahlo
Detail of Falling Cherry Blossoms, by Tatsumi Shimura, 1953
it's been ages since i last made digital collages... id print them onto canvas or archival papers for gallery exhibitions but my last showing was 2011... running the bookstore and focusing on my writing took me out of art and i miss that facet of myself.
playing 'round with mock covers... this is far from what im planning (assuming i handle the artwork for the new publisher, which i dont yet have), but ive got time so im just gonna do a ton of stuff and see what sticks...
King Gbehanzin, the last independent ruler of a sovereign Dahomey (Republic of Benin) until 1894 when defeated by the French.
the faces of Mami Wata, from likely inspiration to reinterpretation to homage.
sculptural vase (and possible nightmare fuel) by Georgia Harvey