Jordan Hirsch
@mrjordanhirsch
Freelance writer: Editor of the interactive map of New Orleans music history at ACloserWalkNola.com
1906: grocers across New Orleans band together to "discontinue lagniappe."
Ole & Nu Style Fellas Social Aid & Pleasure Club with Da Truth Brass Band not afraid of the rain this afternoon.
Currently reading about an attempt to use “unconscionable” as a standard to redress exploitative housing practices in midcentury Chicago. It didn’t go great. (From Family Properties by Beryl Satter, which is going great.)
Queen Kirnisha Watson of the Original Big 7 Social Aid and Pleasure Club and her court coming out for their Mother’s Day parade. Check out those briefcases!
Phenomenal use of quotation marks in this ad from the 1912 Blue Book (the directory of sex workers in Storyville)
Top two stories in Chicago on July 28, 1970: plans to construct the Sears Tower and the riot ahead of the Sly and the Family Stone concert that inspired "There's a Riot Goin' On."
Big Chief Demond Melancon of the Young Seminole Hunters and his Little Chief under the Claiborne bridge for St. Joseph’s Night last night. The Big Chief’s beadwork is some of the best I’ve ever seen, and this suit was stunning. He’s showing at the Venice Biennale this year.
After a 1908 state law decreed that women could buy drinks in restaurants but not in saloons, saloons in New Orleans just left a ceremonial sandwich on every table. A reporter found this one, on which "sausage reposes," to be an "ancient repository of dust, germs and fly effluvia."
Gotta give it up for the cover design on "Sportin' a 'tude," which, thankfully, just popped up in some unrelated search results.
The Stooges Brass Band at the VIP Ladies and Kids SAPC second line yesterday
Ash Wednesday 1883 in New Orleans: two men arrested for wearing women's clothes are released after police verify that they were still out in their costumes from a Mardi Gras ball the day before
Sex work was legal in Storyville, and cocaine was sold over the counter, but this dude got arrested for speeding when his car went over 6 miles per hour (in 1904).
Cool moment in the Seventh Ward when truck floats still full of riders on the overpass cheered for the Black Masking Indians on the street below (I didn’t catch which tribe this was)
There are some A+ names in the Hogan Jazz Archive. Say hello to Knotsie Butts.
Dr. John on the brilliance of Wardell Quezergue and the recording of “Big Chief” with Professor Longhair and Earl King. One of my favorite moments from the Ponderosa Stomp conferences. The full panel is on the Stomp’s YouTube page.
Not everyone has left New Orleans for Minneapolis yet. Armed personnel on Burgundy Street in the French quarter at 1pm Saturday. The bird behind them is a bit of a local celeb—he talks to passers by.
In 1946, "Bess, the wonder horse of the screen...performed for the children" in Charity Hospital in New Orleans. They got her up to the ninth floor! And hopefully disinfected when she left.
1949: Mahogany Hall, the last of the grand Storyville bordellos is demolished, replaced by a "respectable" row of parking lots and white-only public housing on Basin Street.
This is beautiful annual event where families can get free winter coats and toys for their kids. Last year 100+ Latino folks came out. This year, with ICE/CPB in New Orleans, I feared a raid. That didn’t happen, but only two Latino families showed up.
For those following the current threat to the First and Last Stop, a Black bar in a gentrifying neighborhood: here’s a similar threat to the same barroom from 125 years ago, quoted in the book Spectacular Wickedness by Emily Epstein Landau thelensnola.org/2025/11/20/l...
1920: Writers Express Sorrow About Absence of Mint Juleps From Their Buffets. (Apparently, entries to a limerick contest for readers of the New Orleans Item overwhelmed the editor.)
@nolanews.bsky.social the copyright for your cover photo for this story is owned by the photographer who took it, Edgar Mata, who is not credited here. Also, you misspelled Ponderosa Stomp.
RIP Jeff Hannusch, who spent the 1980s talking to musicians in New Orleans who'd changed the world in the 1940s-60s, and left us books that are still essential to understanding their stories.
Percy Humphrey, leader of the Eureka Brass Band and, later, member of the Perservation Hall Jazz Band, provided musical accompaniment for two appearances by Ferdinand the Bull in 1944. "Ride him if you wish."
Early jazz star Leon Roppolo (Benny Goodman's idol) had a mental breakdown and was sent to the same institution as jazz progenitor Buddy Bolden. The place was segregated, but they could have played in its band together--both had horns inside. Hopefully Roppolo paid his respects and they got to jam.