V. Prasad
@quickdarshan
Detroit-based filmmaker. Screenwriting Lecturer at UofM. Curator of SOUTH ASIAN FILM SERIES. Author of the forthcoming WRITING THE ENSEMBLE FILM for UofM Press.
Costumes from SILENCE OF THE LAMBS. Jodie Foster’s sweatshirt. Lester’s bloody pants and Jame Gumb’s shirt during the climax
I just realized this character from Better Off Dead is named Roy Stalin.
Sad news about Catherine O’Hara. So many good roles but my favorite was Gail in AFTER HOURS where she packs so many great moments in maybe 5-10 minutes of screen time.
Out of the gate with a mockumentary, a road movie, a coming-of-age, a swashbuckling adventure, a romantic comedy, a suspense-thriller, and a courtroom drama.
Never noticed that my department library has Redford next to Newman and Streisand.
Just once, even for a moment, I’d like to be as cool as Robert Redford in this still from DOWNHILL RACER.
Scanned some more old negatives. This batch had pics of legendary actress and dancer Vyjayanthimala during a trip to DC around 1970. (My father, a student at Catholic University at the time, drove her around.)
Scanning old negatives to see what’s on them. These are from my parents’ wedding.
My favorite Terence Stamp film is THE LIMEY in which Steven Soderbergh used footage of Stamp from Ken Loach’s POOR COW for flashbacks of Stamp’s character as a younger man. (Watch it on Tubi.)
Came across these behind the scenes portraits from NASHVILLE. They did them for each of the 24 characters.
This exercise taught me that my late 90s list alone would compete with this millennium.
Handmade “Thank You” card from the GOSFORD PARK Costume Dept to Robert Altman.
Another great crowd for the South Asian Film Series I’m curating to see Wakhri with director Iram Parveen Bilal in attendance.
His movies hit you where you dream. RIP to a legend. (Always loved this photograph of David Lynch with my face hovering ominously in the darkness over his shoulder. Really need to scan this.)
356ft cutout to promote the new Ram Charan flick. This is how I do sightseeing.
Starting the India trip with the biggest movie on the biggest screen in the city. (Pushpa 2: The Rule)
Screened NOCTURNES tonight as part of my SOUTH ASIAN FILM SERIES. A beautifully shot entry in a growing trend of eco-docs out of India (see: ALL THAT BREATHES).
I programmed this film in my South Asian Film Series last year and it’s FINALLY available in the States (on Prmie). Highly recommended. A funny, moving, infuriating at times, heartwarming at others look at gig economy work in India. Directed by the great actress Nandita Das.
Was teaching scene structure today and since I have a few students writing mysteries, I picked this as a good example of that moment where the character finally pieces it together. Do you have any favorite "solving the mystery" scenes I could recommend?