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Sara (@saraelle) · DIRTY

Sara

@saraelle

Writer. Editor. Translator. PhD. Likes splatter-gore comedies, mismatched socks, colorful metaphors. Dislikes fascism and white supremacy. She/her

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Sara@saraelle· Jun 5

Been while since I did a #LastFourWatched for ##LetterboxdFriday...

A cropped screenshot of Letterboxd's "Recent Activity" section, showing posters for my last four film watches: from left to right, Backrooms (2026); In Search of Darkness, 1990–1994 (2024); The Last Viking (Den sidste viking, 2025); and 1408 (2007).

Sara@saraelle· May 10

Suzee discovers fresh catmint... #cats #catsky #catsofbluesky

Sara@saraelle· Feb 8

Adam Xiao Him Fa at the 2024 World Figure Skating Championship. The ISU dinged him 1 point for this. Less than six months later, they legalized the move, paving the way for Malinin to start performing it as well. (He never did so while it was illegal.) #figureskating

Sara@saraelle· Dec 21

The time has come... #annualLotRrewatch

Camera phone shot of a big screen TV against a brick wall with the opening title placard for the Lord of the Rings, a golden script on a black background. Due to side window lighting, various objects in the room are reflected in the black surface of the screen: a blue lamp and some stacked books in the lower right and a person drinking coffee in the lower left.

Sara@saraelle· Dec 13

My #LastFourWatched for #LetterboxdFriday

A cropped screenshot of Letterboxd's "Recent Activity" section, showing posters for my last four film watches: from left to right, Merrily We Roll Along (2025), That's Entertainment (1974), Wake Up Dead Man (2025), Good Boy (2025).

Sara@saraelle· Oct 25

Here's my #LastFourWatched for #LetterboxdFriday

A cropped screenshot of Letterboxd's "Recent Activity" section, showing posters for my last four film watches: from left to right, Frankenstein (2025), Werewolf By Night (2022), Werewolf of London (1935), and Pumpkinhead (1988). All of these are part of my #100HorrorMoviesin92Days challenge.

Sara@saraelle· Oct 24

Currently seated for del Toro's #Frankenstein, which will be film no. 89. (I've continued my #100HorrorMoviesin92Days quest, even though I haven't had time to skeet it lately. But I had to post this because I am just so fucking stoked about it.)

The poster for "Frankenstein," which shows Oscar Isaac in 19th-century workclothes (trousers held up by suspenders over a white, collared shirt) standing with his back to the viewer as he surveys a desolate, leaf-strewn room dominated by an ornate circular window with clear glass panels arranged in a rosette design. In a dark corner, a man-sized glass tube glows with an unholy, green light.

Sara@saraelle· Oct 12

Film no. 76. A Quiet Place: Day One (2024) #100HorrorMoviesin92Days

The poster for "A Quiet Place," whose perspective angles up from low to the ground to show actors Lupita Nyong'o and Joseph Quinn standing in the midst of a New York City street while meteors streak across the sky barely missing (and sometimes striking) the high rise buildings around them. Nyong'o, in a peach beanie and mustard yellow cardigan, holds her hands against her mouth in shock, while Quinn, in a brown business suit, delicately striped shirt, and teal tie, stares ahead assessingly.

Sara@saraelle· Oct 12

Film no. 75. A Quiet Place Part II (2020). #100HorrorMoviesin92Days

The poster for "A Quiet Place," which is centered on a pensive, blonde-haired Emily Blunt, who clutches a blanket-swaddled newborn in her arms. The dark-haired Millicent Simmonds and Noah Jupe, who play Blunt's older children, stand to the left looking nervously in opposite directions. A bearded, ball cap-wearing Cillian Murphy, stands to the right looking resolved.

Sara@saraelle· Oct 12

Film no. 74. A Quiet Place (2018). #100HorrorMoviesin92Days

The poster for "A Quiet Place," which shows a shadowy bathroom with an old-fashioned, free standing bathtub in the foreground. Over the edge of the tub, actress Emily Blunt's head and hand are just visible. She looks ill and in pain, her hand braced tensely against the edge of the tub. Through the doorway behind her, there is the shadow of a clawed creature on the wall.

Sara@saraelle· Oct 11

Film no. 73. Men (2022). #100HorrorMoviesin92Days

The poster for "Men," which shows a short-haired Rory Kinner in a low-level, yellow-lit interior wearing frumpy attire--collared plaid shirt and dark tie, maroon sweater vest, and black rain jacket--and grinning at someone, his eyes obscured by a boxed, all-caps, red text block of the title: MEN.

Sara@saraelle· Oct 11

Film no. 72. Starve Acre (2023) #100HorrorMoviesin92Days

The poster for "Starve Acre," which shows a cross-section of land and sky. In the upper register Morfydd Clark and Matt Smith stand on a desolate moor under a gray and oppressive sky, their clothes in muted neutral tones that almost seem to fade into the landscape. Clark is in a long skirt; Smith wears knee-high Wellington boots and holds a shovel in one hand, its head against the earth. Beneath their feet, in the lower register of the cross-section, is a nest of roots in which the bones of a hare is entangled.

Sara@saraelle· Oct 11

Film no. 71. House (1985). #100HorrorMoviesin92Days

The poster for "House" (with which I was obsessed as a little girl browsing the horror aisle of the video store when my parents weren't looking), which shows a severed skeletal hand, leathery strips of flesh wrapping portions of it like a fingerless glove, floating in air to ring the bell of the door that lies along the left edge of the picture plane as if the interior of the eponymous house lies just off the edge of the frame.

Sara@saraelle· Oct 10

Film no. 70. Cemetery Man (1994). #100HorrorMoviesin92Days

Sara@saraelle· Oct 8

Film no. 69 (nice). I, Frankenstein (2014). #100HorrorMoviesin92Days

The poster for "I, Frankenstein," showing Aaron Eckhart as Frankenstein's monster (who basically looks like short-haired Aaron Eckhart with some minor facial scarring), wearing contemporary men's casual clothing and holding silver axe-shaped hand blades and standing in front of a stylized view of Paris with a gargoyle flying over his right shoulder and horned, reptilian demon standing off his left shoulder.

Sara@saraelle· Oct 7

Film no. 68. House of Dracula (1945). #100HorrorMoviesin92Days

The poster for "House of Dracula," which depicts a scene of Count Dracula, wearing a top hat and black cape and menacing a woman in a lavender, v-necked gown, in the upper right corner. Along the left side of the poster, from top to bottom, are the faces of John Carradine as Count Dracula, Glenn Strange as Frankenstein's monster, Lon Chaney Jr. as the Wolf Man, and Onslow Stevens as Dr. Edelmann. In the lower right corner is a shot of Jane Adams as the hunchbacked assistant Nina wearing a nurse's cap.

Sara@saraelle· Oct 7

Film no. 67. House of Frankenstein (1944). #100HorrorMoviesin92Days

The poster for "House of Frankenstein," showing Frankenstein's monster, arms outstretched, looming over a woman in a white gown with red stains on the blouse who lies on her back with her arms over her head and one knee lifted. Beneath this tableau are the faces of Boris Karloff as Dr. Neumann, Lon Chaney as the Wolf Man, John Carradine as Count Dracula, J. Carrol Naish as Niemann's servant Daniel, and Glenn Strange as Frankenstein's monster.

Sara@saraelle· Oct 5

Film no. 66. Frankenstein Meets the Wolf Man (1943). #100HorrorMoviesin92Days

The poster for "Frankenstein Meets the Wolf Man," which shows the Wolf Man and Frankenstein's monster in the midst of a knock-down, drag-out fight in a flooding laboratory--the Wolf Man leaping through the air to claw at the face of the monster, who struggles to hold him off.

Sara@saraelle· Oct 5

Film no. 65. The Wolf Man (1941). #100HorrorMoviesin92Days

The poster for "The Wolf Man," which includes a collage of images: the face of the Wolf Man floating over a tree-lined hillside that is being climbed by shadowy men with torches and a blonde white woman in a salmon-colored dress with a plunging neckline lying prone with her face angled toward the viewer.

Sara@saraelle· Oct 4

Film no. 64. Monster Madness: The Golden Age of the Horror Film (2014). #100HorrorMoviesin92Days

The poster for "Monster Madness: The Golden Age of the Horror Film," which shows a collection of iconic movie monsters from the 1920s, '30s, and '40s, including Lugosi as Dracula, Karloff as Frankenstein's monster and the Mummy, Lon Chaney as the Phantom of the Opera, Lon Chaney Jr. as the Wolf Man, and Elsa Lanchester as the Bride.

Sara@saraelle· Oct 3

Film no. 63. A Field in England (2013). #100HorrorMoviesin92Days

The poster for "A Field in England," showing a man in 17th-century English attire, complete with a tall, wide-brimmed pilgrim-style hat that shades his face from view, striding through a field under a full, blood-red moon.

Sara@saraelle· Sep 30

Film no. 62. The City of the Dead (1960). #100HorrorMoviesin92Days

The poster for "The City of the Dead," showing a collection of images: in the upper left corner, a man in a white, open-faced wimple looking up to the right; in the upper right corner, a dead tree in front of the rounded disk of the sun or moon; in the lower left corner, a group of people in black hooded robes gathered around a white-clad figure on a slab, the spindly limbs of winter-bare trees looming in the distance.

Sara@saraelle· Sep 30

Film no. 61. White Zombie (1931). #100HorrorMoviesin92Days

The poster for "White Zombie," showing the film's title in white letters on a green background. Above the title, Bela Lugosi's staring yellow eyes gaze from under heavy black brows; beneath, a pair of hands desperately clutch each other.

Sara@saraelle· Sep 29

Film no. 60. Grave Encounters (2011). #100HorrorMoviesin92Days

The poster for "Grave Encounters," which features a green-saturated palette. In it, a dirty-faced white man in blue jeans and a black t-shirt sits with his back against the wall of a long hallway, a voice recorder clasped in one hand. Across from him sits a video camera, its floodlight casting a line of Illumination across his legs. Down the corridor, a figure--an indistinguishable blob of green, glowing light--stands waiting.

Sara@saraelle· Sep 28

Film no. 59. Son of Dracula (1943). #100HorrorMoviesin92Days

The poster for "Son of Dracula," which shows the face of mustachioed Lon Chaney Jr. as Count Alucard, looking out at the audience with a stunned expression of his face.

Sara@saraelle· Sep 28

Film no. 58. Dracula's Daughter (1936). #100HorrorMoviesin92Days

The black & white poster for "Dracula's Daughter," showing Gloria Holden, a striking brunette with high cheekbones and an imperious expression, emerging out of a V-shaped mass of black bats.

Sara@saraelle· Sep 28

Film no. 57. Dracula (1931). #100HorrorMoviesin92Days

Sara@saraelle· Sep 27

Film no. 56. The Ghost of Frankenstein (1942). #100HorrorMoviesin92Days

The poster for "The Ghost of Frankenstein," which is dominated by a skull that is partially superimposed over the iconic face of Frankenstein's monster. In the lower right corner, Frankenstein's monster clasps hold of a woman kn a long, pink gown.

Sara@saraelle· Sep 25

Film no. 55. Son of Frankenstein (1939). #100HorrorMoviesin92Days

The poster for "Son of Frankenstein," showing Basil Rathbone as the eponymous son of Frankenstein in the upper right corner, wearing a round, head-mounted magnifying glass that obscures his right eye. In its reflection are images of Bela Lugosi as Ygor and Boris Karloff as the monster. Beneath Rathbone, in the bottom left corner, Josephine Hutchison--a brunette woman in a green frock--crouches down to hold a curly haired, five-year-old Donnie Dunagan.

Sara@saraelle· Sep 24

Film no. 54. Bride of Frankenstein (1935). #100HorrorMoviesin92Days

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