Space Cowboy
@spikespeigel
I’ve been seeing the past in one eye and the present in the other.
And that’s new game plus of Persona 3 Reload done. It’s definitely the best plot of the modern Persona games. That ending still hits the hardest, even now.
This is the moment. Right here. This is where Morgan realizes she has feelings for Karadec. She doesn’t even look at Lucia when she walks past them. That Wagner kiss means nothing to Morgan. #highpotential
That’s #GhostofYotei finished. Definitely this generation’s Red Dead Redemption. If you have a PS5, you need to play this game.
Is it my imagination, but did Chapter One last a lot longer than Chapter Two? #GhostofYotei
Still remember every beat of this issue. Never read a better end of a story than this. Rest in peace, Peter David. You were one of the greats.
Still kind of shocked that more people didn’t talk about this scene. The way Helly presses her cheek against Mark’s and intertwines her fingers with his. She closes the space between them with no hesitation, cherishing the time left because in her mind she’s about to lose him forever. #severance
I kind of hate myself for not realizing that the stairwell exit is the Equator for Mark S and Helly. They both kept their promise, and I’m tearing up again. Cold Harbor may just be the best hour of television ever conceived. #severance
And on the flip side, Mark S is not going to get fooled by Helena again. Just look at how he looks at Helly and knows it’s her. He reaches out to Helly and with one final look, knows he’s made the right choice. Mark S knows Helly, through and through. #severance
Seeing posts bringing back the Helly is actually Helena in this moment, and I’ve got to ask, are we watching the same scene? No way does Helena look at Mark S like this after realizing he chose her. And that parting glance is just that. A passing glance. Helly is genuinely happy. #severance
I’m still shaking over that ending. I don’t think I’ve seen love this pure in ages. People getting upset at the choice, but for Mark S, there was never a choice. The only answer was Helly. It was always Helly. #severance
Here’s the other frame I was able to pull from Chikhai Bardo. Seriously, why hide this in a transition? #severance
Hey, what the hell is this frame from Chikhai Bardo? Didn’t notice it the first time around, but the transition sound happens here and this is hidden in a frame or two. What is this?! #severance
Hey, based on that summary for next week’s #severance, Helly’s totally going to end up on the Testing floor. That’s why Mark will have to make a choice between the two. Hence the opening credits. Right?
Started like this but currently here. Wild how love works. #severance
Love the symmetry in this scene. Helly initiated their first kiss and Mark initiated this kiss when Helly started to doubt herself when she asks if it was different with her compared to Helena. No hesitation on Mark’s part. He knows who he wants. #severance
The #severance writers deserve massive credit for having Mark ask Helly for consent. It’s such a beautiful scene, because it’s just the two of them in that moment. No Helena. Just them.
“I don’t want her memory. I want my own. Would you like that?” Get ready for this momentto be replaced with every goddamn moment from Attila. #severance
So, this is what happens when you kind of get obsessed with a great show. Post when you see it. #severance
I love this shot so much. Helly is clearly defined because she knows her feelings for Mark are true while Mark is partially obscured because he has no idea who he’s speaking with, so of course he’s having trust issues. *chef’s kiss*. #severance
“This is real. Not everything here is a lie. And stop being a fucking asshole.” -Helly Goddamn R #severance
Everyone out here pouring one out for Irving, and I'm over here just hoping Helly and Mark S find some semblance of happiness. #severance
I know everyone is losing it over episode four, but I’m still in this mind space. I’m thinking the story is now non-linear since they just ignored the ramifications of this ending. #severance