The Orchid Show
@theorchidshow
Lapsed writer/musician, guerrilla archivist, socialist, et Jew sans frontières. COVID-consciousness and community care-forward: we are still in a pandemic. Death to power. Also at mastodon.social/@theorchidshow.
The GTO's - Permanent Damage (Bizarre/Straight, 1969 - r. Rhino, 1989) Wherein Frank Zappa arranges backing tracks for his babysitters' charmingly offbeat a cappella compositions. Highly recommended. #CDFriday
Animal Crossing glitched out super hard this morning. Anyone ever see it do this before?
Belatedly sharing that I listened to the grey-market reissue of Brast Burn's 'Debon' (Voice, 1975 - r. Paradigm, 1998) this morning for #CDFriday. If you like weirdo Japanese stuff with a communal vibe, you can't go wrong with this.
Kid Commando - Holy Kid Commando (Ache, 2003) Noise-rockers most well known for opening Arab On Radar's final tour, and sonically they were an apt choice. This album cover really wants to be the guy, if you know what I mean. #CDFriday
Brain Police - s/t (K.B. Artists, 1968 - r. Shadoks, 2000) Late '60s lo-fi San Diego psych rarity expanded with cuts from earlier ensembles that evolved into this one. Good fun if you can find it cheap! #CDFriday
Hey, #CDFriday. Listening to The Human Beast's 'Volume One' (Decca, 1970 - r. Sunbeam, 2007), a decent psych disc whose biggest faux pas was coming out a year or two too late to really feel part of the zeitgeist.
Hello, #CDFriday! The latest American Football album (Polyvinyl, 2026) spinning as I post. Like the rest of their post-reunion stuff, it's really the Owen Big Band more than it has much to musically do with the band's brief yet phenomenal initial run, but luckily for me, I enjoy Owen just fine, too.
Hello, #CDFriday! Today, I'm listening to Henry Now's 'Then Again' (Dark Companion, 2025), a reunion of the original line-up of Canterbury communists Henry Cow. They're making sounds, some of which are decidedly unCow-like, but the personnel doesn't lie, and it spells disaster for you at Sacrifice.
Hello, #CDFriday! Today I'm playing the 2025 Paisley Press CD reissue of Master Cylinder's one-off tour-de-force album, Elsewhere. Canterbury-adjacent fusion in the vein of the first National Health album (with some Mothersy touches), and from Fort Worth, Texas, of all places! Highly recommended.
Hello, #CDFriday! Today, I'm listening to the self-titled one-off album credited to Ahvak cut by 5uu's mastermind Dave Kerman and friends while he was residing in occupied Palestine. Really groovy RIO, though ROMpler piano patches have never sounded good and the one on this recording's no exception.
#CDFriday continues with Tortoise's 'Touch' (International Anthem/Nonesuch, 2025). Either my speakers are blown or too far many records these days are really employing that 'mildly distorted drum' approach to production that I really don't care for.
Good morning, #CDFriday! Kicking things off with Pullman’s latest, III (Western Vinyl, 2026), available on vinyl worldwide but exclusively issued on compact disc for the Japanese market by Headz. More electronic than their near-30-year old Thrill Jockey releases, but it’s so good to hear from them.
How do you say 'gnostic hallucinatory breakfast sandwich' in Coptic?
Good morning, #CDFriday! Last week, I listened through the catalogue of American indie supergroup Canyon, but this week, I'm spinning one of the roads that led there: The Farewell Bend's 'In Passing' (Slowdime, 1998), which is definitely a lot more of what you might expect from a Boys Life alumnus.
Good morning, #CDFriday! Spending some of my day with the collected recordings of Canyon, a slightly rootsy slowcore outfit featuring players from Boys Life, Kerosene 454, The Crownhate Ruin. Starting at top-left with the 2003 reissue of their 1999 debut, but info about all releases in the alt-text.
Good morning, #CDFriday! Throwing on the 2024 Decca/Universal/Music On CD reissue of Pidgeon's self-titled album (Decca, 1969), where Jobriath gave us his symphonic-rock obviously Hair-inspired vision before becoming the also-ran glam-rock caricature that Phantom of the Paradise's Beef was based on.
2/28: Social Climbers - s/t (Hoboken, 1981) I wanted to like this more as it timbrally touches upon a lot of things I like from period independent music, but kept getting distracted by the Steve Winwood FM-radio butt-rock vocals.
2/27: Ruby Falls - What She Does (Personal Favorite, 1995) Splits the difference between period Olympia and Lousville bands quite nicely.
2/26: Pulsallama - s/t (Modern Harmonic, 2020 - rec. 1983) Archival radio session by this percussion-heavy all-lady no-wave collective who sound like The Go-Go's [sic] playing The Slits with touches of Liquid Liquid. Ann from Bongwater was in this band at one point, but I don't think she's on this.
2/25: Xiu Xiu - Girl With Basket Of Fruit (Polyvinyl, 2019) The 'oh man this is so fucking brutal and disturbing' reputation that this one has really flummoxes me; did someone with a platform who never experienced a Xiu Xiu album before hear this and now that's the narrative? A Promise smokes this.
2/24: Retsin - Salt Lick (Simple Machines, 1995) I have never once asked myself 'what would it sound like if Alanis Morissette fronted The Sonora Pine?', but the answer is apparently 'pretty darn good, actually!'.
2/23: Career Suicide - Machine Response (Deranged, 2017) Punk by numbers, but there's nothing wrong with that.